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Turbulence and Reconstruction ist eine Anthologie von künstlerischen und wissenschaftlichen Sichtweisen auf unsere Gesellschaft. Die Autoren gehen davon aus, dass Kunst und Wissenschaft produktive Denkräume bieten und uns dazu ermutigen, neue Konzepte und Kategorisierungen zu entwickeln, die Potenziale freisetzen und von denen wir in Zukunft profitieren können.Wesentlich dabei ist, dass die alten Grenzen zwischen den Disziplinen überwunden und die wechselseitige Wirkung von Technologie und Realität diskutiert werden kann.Turbulenz und Wiederaufbau sind Prozesse, die nicht nur Darstellung, Kategorien, urbane Lebensräume und Energieverbrauch betreffen, sondern auch unsere Beziehung zu Medien und Technologien - und damit zur digitalen Ideologie von Interaktion und Substitution.
Über den Autor / die Autorin
Jill Scott was born in 1952, in Melbourne, Australia and has been working and living in Switzerland since 2003. Currently she is Professor for Research in the Institute Cultural Studies in Art, Media and Design at the Zurich University of the Arts (ZhdK) in Zürich and Co-Director of the Artists-in-Labs Program (a collaboration with the Ministry for Culture, Switzerland) which places artists from all disciplines into physics, computer, engineering and life science labs to learn about scientific research and make creative interpretations. She is also Vice Director of the Z-Node PHD program on art and science at the University of Plymouth, UK-a program with 16 international research candidates. Her recent publications include: Artists-in-labs Processes of Inquiry: 2006 Springer/Vienna/New York, and Coded Characters Hatje Cantz 2002, Ed. Marille Hahne. Her education includes: PhD, University of Wales (UK) MA USF, San Francisco, as well as a Degree in Education (Uni Melbourne) and a Degree in Art and Design (Victoria College of the Arts). Since 1975, she has exhibited many video artworks, conceptual performances and interactive environments in USA, Japan, Australia and Europe. Her most recent works involve the construction of interactive media and electronic sculptures based on studies she has conducted in neuroscience- particularly the somatic sensory system artificial skin (e-skin) 2003-2007 and on neuro-rentinal behaviour in relation to human eye disease (The Electric Retina-2008) and on dermatome and skin behaviour in relation to the "skin" of the landscape and UV radiation (Dermaland- 2009).
