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Zusatztext The heart of Stephen Scully's book is a masterful inquiry into the place of the Theogony in literary history, in the course of which he makes important observations about the evolution of ancient Greek ideas of the cosmos, divinity, sexuality and gender, justice, and the polis. He prefaces his historical investigations with a careful reading of the poem on its own terms, before looking backward toward its sources and then forward toward the influence it exerted on later texts. Literary analysis and literary history are carefully interwoven, as Scully's initial reading of the poem provides a road map for the historical sections of the book. Informationen zum Autor Stephen Scully is Associate Professor of Classical Studies at Boston University. He has published on Homer, Hesiod, Sophocles, Plato, Vergil, George Chapman, and Freud. His books include Homer and the Sacred City (Cornell, 1990), Euripides' Suppliant Women, with Rosanna Warren, translation, essay, and notes (Oxford, 1995), and Plato's Phaedrus, translation, essay, and notes (Focus Publishing, 2003). Klappentext Stephen Scully both offers a reading of Hesiod's Theogony and traces the reception and shadows of this authoritative Greek creation story in Greek and Roman texts up to Milton's own creation myth, which sought to "soar above th' Aonian Mount [i.e., the Theogony]...and justify the ways of God to men." Scully also considers the poem in light of Near Eastern creation stories, including the En¿ma elish and Genesis, as well as the most striking of modern "scientific myths," Freud's Civilization and its Discontents. Scully reads Hesiod's poem as a hymn to Zeus and a city-state creation myth, arguing that Olympus is portrayed as an idealized polity and--with but one exception--a place of communal harmony. This reading informs his study of the Theogony's reception in later writings about polity, discord, and justice. The rich and various story of reception pays particular attention to the long Homeric Hymns, Solon, the Presocratics, Pindar, Aeschylus, Aristophanes, and Plato in the Archaic and Classical periods; to the Alexandrian scholars, Callimachus, Euhemerus, and the Stoics in the Hellenistic period; to Ovid, Apollodorus, Lucian, a few Church fathers, and the Neoplatonists in the Roman period. Tracing the poem's reception in the Byzantine, medieval, and early Renaissance, including Petrarch and Erasmus, the book ends with a lengthy exploration of Milton's imitations of the poem in Paradise Lost. Scully also compares what he considers Hesiod's artful interplay of narrative, genealogical lists, and keen use of personified abstractions in the Theogony to Homeric narrative techniques and treatment of epic verse. Zusammenfassung Stephen Scully offers a reading of Hesiod's Theogony and an account of the poem's classical and post-classical reception up to Milton's Paradise Lost. He proposes that the poem be read as a hymn to Zeus and a city-state creation myth, and discusses Hesiod's artful narrative style in relation to Homer's. Inhaltsverzeichnis Acknowledgements Introduction Chapter I: Points of Comparison: Hesiod and Homer; the Theogony and Genesis Chapter II: The Theogony Chapter III: The Theogony and Eastern Parallels: City-State Succession Myths? Chapter IV: The Theogony in the Archaic and Classical periods Chapter V: Echoes of the Theogony in the Hellenistic and Roman periods Chapter VI: Theogonic shadows: Byzantine, Medieval and Renaissance, Milton's Paradise Lost Bibliography ...
