Impersonal Enunciation, Or the Place of Film

Informationen zum Autor Christian Metz (1931¿1993) is also the author of Film Language: A Semiotics of the Cinema ; The Imaginary Signifier: Psychoanalysis and the Cinema ; and Language and Cinema . Klappentext The late work of an avant-garde theorist adds clarity to the phenomenology of new media. Zusammenfassung The late work of an avant-garde theorist adds clarity to the phenomenology of new media. Inhaltsverzeichnis Acknowledgments Translator's Introduction Part I: Humanoid Enunciation 1. Humanoid Enunciation Part II: Some Landscapes of Enunciation (A Guided Tour) 2. The Voice of Address in the Image: The Look to Camera 3. The Voice of Address Outside the Image: Related Sounds 4. Written Modes of Address 5. Secondary Screens, or Squaring the Rectangle 6. Mirrors 7. "Exposing the Apparatus" 8. Film(s) Within Film 9. Subjective Images, Subjective Sounds, "Point of View" 10. The I-voice and Related Sounds 11. The Oriented Objective System: Enunciation and Style 12. "Neutral" (?) Images and Sounds Part III: A Walk in the Clouds (Taking Theoretical Flight) 13. (Taking Theoretical Flight) Afterword, by Dana Polan Notes On the Shelf: Works Cited Index

Produktdetails

• Autoren: Christian Metz, Metz Christian
• Mitarbeit: Polan Dana (Nachwort), Cormac Deane (Übersetzung), Deane Cormac (Übersetzung)
• Verlag: Columbia University Press
• Sprache: Englisch
• Produktform: Taschenbuch
• Erschienen: 31.12.2015
• EAN: 9780231173674
• ISBN: 978-0-231-17367-4
• Seiten: 280
• Serien: Film and Culture Series; Film and Culture Series
• Themen: Geisteswissenschaften, Kunst, Musik > Kunst > Sonstiges; Media Studies, SOCIAL SCIENCE / Media Studies, ART / Digital, Psycholinguistics, PERFORMING ARTS / Film / History & Criticism, Electronic, holographic & video art, Film Theory & Criticism, Digital, video and new media arts, Psycholinguistics and cognitive linguistics, Film history, theory or criticism, Art; film