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Informationen zum Autor Mo Throp is Associate Researcher at Chelsea College of Art & Design. She is also an artist and writer. Maria Walsh is Senior Lecturer at Chelsea College of Art & Design. She is also a writer. Both authors co-convene the Subjectivity & Feminisms Research Group at Chelsea College of Art & Design and Mo Throp was Chair of the Trustee Board of the Women's Art Slide Library from 1994-1997. An anthology of the MAKE magazine archive Zusammenfassung During the 1970s! adding 'women's' to 'art' was a powerfully political act. Fuelled by the momentum of the women's liberation movement! artists! art historians! critics and curators began to explore the women's art practice! as distinct from men's! and to challenge its invisibility in the established art world and historical canon. In the 1980s! they continued to creatively critique representations of female sexuality! and in the 1990s! some began to embrace the 'post-feminist' idea of difference and the performance of gender. Throughout this pivotal period! the MAKE magazine offered a unique platform for academics! artists and arts professionals to critically engage with women's art. Though the need to talk about 'women's art' seemed to lose some of its political urgency in the early 2000s! many artists! art historians and art students are now once again explicitly engaging with feminist art histories and art practices as possible models and precedents for resistance. Now is the time to revisit the past! in order to understand and galvanise the energy of the present.Gathering together the work of eminent writers such as Griselda Pollock and Marina Warner! on celebrated artists such as Helen Chadwick! Sarah Lucas and The Guerrilla Girls! this unparalleled anthology of material from the MAKE archive allows us to trace the lineages and links between then and now. Inhaltsverzeichnis CONTENTS:FOREWORD – Althea GreenanLIST OF ILLUSTRATIONS - tbcEDITOR’S INTRODUCTION SECTION 1: Sexuality & the BodyCONTENTS:FOREWORD – Althea GreenanLIST OF ILLUSTRATIONS - tbcEDITOR’S INTRODUCTION SECTION 1: Sexuality & the BodyINTRODUCTION TO SECTION 1 page no.sCarol Drake MOUSE KATZ: IN SEARCH OF THE FEMORPHIC WOMAN Pennina BarnettIN AN UNSAFE LIGHT Susan Croft & Claire MacDonaldPERFORMING POSTURESKathy KubickiTHE TIME SOMEONE POINTED …Janice JefferiesTEXT, TEXTILE, SEX AND SEXUALITYEmma Cocker interviews Helen ChadwickINDIFFERENCE IN DIFFERENCE Marsha MeskimmonTHE MONSTROUS & THE GROTESQUESimon FordSUBJECT & (SEX) OBJECT Judith HalberstamTHE BODY IN QUESTIONSECTION 2: Representation INTRODUCTION TO SECTION 2 Marilyn CrabtreeINTERIM page no.s Monica Bohm-DuchenSUSAN HILLERRebecca Fortnum & Gill HoughtonWOMEN AND CONTEMPORARY PAINTING: RE-PRESENTING NON-REPRESENTATION Christine BattersbyDIRTY WORDS FOR THE TATEHilary RobinsonBODIES OF KNOWLEDGESadie MurdochTOO MUCH OF A GOOD THINGLorraine Gamman interviews The Guerilla GirlsARE YOU BEING SERVED WITH A MASK?SECTION 3: DiscourseINTRODUCTION TO SECTION 3 pg no.Pam Gerrish NunnTHE USES OF THEORYGriselda PollockFRAMING FEMINISMDeborah Cameron SURVIVAL GUIDEMargaret WhitfordWOMAN WITH ATTITUDEHilary RobinsonIRIGARAY'S IMAGININGSNancy ProctorIS WOMEN’S ART HOMELESS?Griselda PollockINTO INSIDE THE VISIBLEPaula Smithard & David BurrowsENJOY YOUR ALIENATION!Marsha MeskimmonIN MIND AND BODYSECTION 4: The Technical ImageINTRODUCTION TO SECTION 4 pg no. Linda Wilson GreenART, SOCIETY AND THE WOMAN PHOTOGRAPHERRosy MartinI POSE A PARADOXSusan ButlerSUBJECT TO CHANGEAnna DouglasCHILDHOOD: A MOLOTOV COCKTAIL FOR OUR TIMEVal WilliamsWHERE WOMEN DARE TO TREAD?Sadie PlantCOMING INTO CONTACTShirley ReadGLASS CEILING IN CYBERSPACE?Rachel Armstrong...WOMAN WITH HEAD...Liz WellsMEMORIES OF DEMOS, DUNGAREES AND BADGES – SO WHERE ARE WE N...
