Fr. 135.00

Musical Revolutions in German Culture - Musicking Against the Grain, 1800-1980

Englisch · Fester Einband

Versand in der Regel in 1 bis 3 Wochen (kurzfristig nicht lieferbar)

Beschreibung

Mehr lesen

Zusatztext “Hall’s book is engaging, stimulating and generative. … Hall provides readers with enough critical-musicking instruments to equip themselves as destructive musicians—or better, ‘destructive musickers’—in their own right. … Musical Revolutions is a compelling and well-crafted provocation for future scholars to ‘Bring the Noise.’” (Martin Law, Marx and Philosophy, marxandphilosophy.org.uk, April, 2016) Informationen zum Autor Mirko M. Hall is Associate Professor of German Studies and Affiliate Faculty in Philosophy in the Department of Languages, Cultures, and Literatures at Converse College, USA. Klappentext Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries. Zusammenfassung Drawing upon the philosophical insights of Friedrich Schlegel! Walter Benjamin! Theodor W. Adorno! and Blixa Bargeld! this book explores the persistence of a critical-deconstructive approach to musical production! consumption! and reception in the German cultural sphere of the last two centuries. Inhaltsverzeichnis Introduction: Musicking as a Cultural Practice 1. Friedrich Schlegel and Romanticized Music 2. Walter Benjamin and the Dialectical Sonority 3. Theodor W. Adorno and Radical Music 4. Blixa Bargeld and Noise Coda: Toward a Musical Future Perfect

Inhaltsverzeichnis

Introduction: Musicking as a Cultural Practice 1. Friedrich Schlegel and Romanticized Music 2. Walter Benjamin and the Dialectical Sonority 3. Theodor W. Adorno and Radical Music 4. Blixa Bargeld and Noise Coda: Toward a Musical Future Perfect

Bericht

"Hall's book is engaging, stimulating and generative. ... Hall provides readers with enough critical-musicking instruments to equip themselves as destructive musicians-or better, 'destructive musickers'-in their own right. ... Musical Revolutions is a compelling and well-crafted provocation for future scholars to 'Bring the Noise.'" (Martin Law, Marx and Philosophy, marxandphilosophy.org.uk, April, 2016)

Kundenrezensionen

Zu diesem Artikel wurden noch keine Rezensionen verfasst. Schreibe die erste Bewertung und sei anderen Benutzern bei der Kaufentscheidung behilflich.

Schreibe eine Rezension

Top oder Flop? Schreibe deine eigene Rezension.

Für Mitteilungen an CeDe.ch kannst du das Kontaktformular benutzen.

Die mit * markierten Eingabefelder müssen zwingend ausgefüllt werden.

Mit dem Absenden dieses Formulars erklärst du dich mit unseren Datenschutzbestimmungen einverstanden.