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Informationen zum Autor Daniela Angelucci is Lecturer of Aesthetics at the Department of Philosophy, Comunicazione, Spettacolo at University of Roma Tre. Sarin Marchetti is IRC postdoctoral fellow at University College Dublin. He earned his PhD at Sapienza Università di Roma, and has been visiting scholar at Columbia University. His main intellectual interests lie in ethics, metaphilosophy, and the history of concepts, with an unquenchable thirst for cinema and literature. He has a forthcoming monograph on William James and is currently working on a project on pragmatist and Wittgensteinian moral philosophy. After sunset he dismisses the clothes of the scholar and wears the ones of the translator, although the two share more than a garment. In such capacity he is currently editing and translating James's The Will to Believe into Italian as well as translating a book on Kant's practical philosophy into English. He is also assistant editor of the European Journal of Pragmatism and American Philosophy and occasional reviewer for Paradigmi. Klappentext This special issue is the complete text of Daniela Angelucci's book Deleuze e i concetti del cinema, translated by Sarin Marchetti. Deleuze and the Concepts of Cinema takes up Deleuze's idea that the true objects of the theory of cinema are the concepts that cinema generates when understood as a practice of images. Zusammenfassung This special issue is the complete text of Daniela Angelucci’s book Deleuze e i concetti del cinema, translated by Sarin Marchetti. Deleuze and the Concepts of Cinema takes up Deleuze’s idea that the true objects of the theory of cinema are the concepts that cinema generates when understood as a practice of images.
