Fr. 160.00

Work and Object - Explorations in the Metaphysics of Art

Englisch · Fester Einband

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Zusatztext Peter Lamarque's wittily titled book ... is to be welcomed for the way in which it demonstrates the significance of its subject matter and its centrality within the analytical canon. Employing his stylist philosophical prose, Lamaerque raises, and offers answers to, the central questions in the metaphysics of art. Furthermore, and I think this may be the work's prime source of value, the book elegantly combines and elaborates a set of answers to these questions in such a way as to complete the reader with a complete metaphysics of art that has claim to represent hegemonic opinion within the discipline. ... I really enjoyed this book. I recommend it heartily as an antidote to anyone tempted to think of the metaphysics of art as a philosophical backwater. Informationen zum Autor Peter Lamarque is Professor of Philosophy at the University of York. He joined the Department of Philosophy in 2000. Prior to that, he was Ferens Professor of Philosophy at the University of Hull and Head of the Philosophy Department between 1995 and 2000. He was a lecturer and then senior lecturer at the University of Stirling between 1972 and 1995. From 1995 to 2008 he was Editor of the British Journal of Aesthetics. Klappentext This book does not have an Australian price yet as it is not in Australia OUP system. Zusammenfassung Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is. Inhaltsverzeichnis Preface 1: Introduction 2: On Bringing a Work into Existence 3: Work and Object 4: Distinctness and Indiscernibility in the Allographic Arts 5: Aesthetic Essentialism 6: Aesthetic Empiricism 7: Imitating Style 8: Objects of Interpretation 9: How to Create a Fictional Character 10: Art, Ontology and the End of Nausea 11: On Perceiving Conceptual Art ...

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