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Inhaltsverzeichnis
Forewords Eva Jacobs, Claude Pichois; Author's preface and acknowledgments; Part I. The Composition of Les Fleurs du Mal: 1. Pour une chronologie des Fleurs du Mal (1967; 1988); 2. Baudelaire-Cramer: les sens de Orfraies (1985); 3. Les Lesbiennes: A verse novel? (1988); 4. Les Limbes: 'The Agitations and Melancholies of Modern Youth' (1988); 5. Les Fleurs du Mal (1857-1865): The resuscitation of the 'pièces sacrifiées' (1988); 6. Poet - or 'architect'? (1966; 1988); Part II. Les Fleurs de Mal: Themes and Interpretations; 7. The amorous tribute (1968); 8. The originality of Le Cygne (1973); Part III. Les Fleurs du Mal: The Creative Process: 9. The Mortimer poems; 10. The Delacroix/Tasso Sonnet of 1844 (1988); 11. Harmonie du soir (1967); 12. Les sept versions des Sept Vieillards (in collaboration with Claude Pichois) (1973); Part IV. Baudelaire-Dufays: 13. Les Esthétiques de Baudelaire: le 'système' des années 1844-1847 (1967); 14. A philosophy of opportunism (1845-1846) (1965); Part V. Encounters: 15. Asselineau, Corot et Les Limbes (1973); 16. Fontainebleau and Denecourt (1968; 1988); 17. 'Un architecte songeur': H. E. Kendall (1956); Notes; Illustrations; F. W. Leakey: publications; Indexes.
Zusammenfassung
This book of linked essays contains the first critical study of Baudelaire's development as a poet, from his youth onwards. It also includes studies of the development of Baudelaire's aesthetic, detailed commentaries on a number of his finest poems, and accounts of three intriguing and crucial 'encounters' with notable contemporaries.
