Fr. 70.00

Undoing Aesthetics

Englisch · Taschenbuch

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Beschreibung

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`The aestheticization of everyday life' has become a commonplace term, one which often merely scratches the surface of contemporary culture. This study illuminates the deeper dynamics of aesthetic reality from a philosophical perspective.

Wolfgang Welsch, author of the influential Aesthetic Thinking, develops an important analysis of contemporary culture with philosophical bite. He examines global aestheticization phenomena, probes the relationship of aesthetics and ethics, and considers the broad relevance of aesthetics for contemporary thinking. He argues that modes of thought familiar from the aesthetic realm comprise fundamental paradigms for understanding today's reality. The implications for specific and everyday issues are demonstrated in studies of architecture, advertising, the Internet and our perception of the life world.

Inhaltsverzeichnis

NEW SCENARIOS OF THE AESTHETIC
Aestheticization Processes
Phenomena, Distinctions and Prospects
Basic Aesthetic Features in Contemporary Thinking
Aesthet/hics
Ethical Implications and Consequences of Aesthetics
Aesthetics beyond Aesthetics
For a New Form to the Discipline
DIAGNOSES AND PROSPECTS
How Modern was Modern Architecture?
Contemporary Art in Public Space
A Feast for the Eyes or an Annoyance?
On the Hermeneutic Constitution of Art
Cities of the Future
Aspects from Architectural Theory and Cultural Philosophy
On the Way to an Auditive Culture
Artificial Paradises?
Considering the World of Electronic Media - and Other Worlds
Information Superhighway or Highway One?

Über den Autor / die Autorin

Wolfgang Welsch is professor of philosophy at the Otto-Von-Guericke University in Magdeburg. He is the author of many works in German, two of which will shortly be available in English translations: Aesthetic Thinking; and Our Postmodern Modern (both forthcoming from The Humanities Press).

Zusammenfassung

In this discussion of the aesthetic in everyday life the aesthetic codes of advertising, architecture, the Internet and everyday images are used as examples of the disorientation which a multiplication of codes creates. Welsch proposes untangling the `aestheticization of everyday life' and replacing it by more meaningful and durable categories.

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