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Informationen zum Autor Edward James is Professor of Medieval History at University College Dublin. He won the University of California's Eaton Prize for his book Science Fiction in the Twentieth Century (1994) and a Hugo Award for (jointly) editing The Cambridge Companion to Science Fiction. He co-wrote! with Farah Mendlesohn! A Short History of Fantasy (2009) and he has co-edited a number of other books! all of them essay collections! with Farah Mendlesohn and others. One of these is the first and only academic book on Terry Pratchett! called Terry Pratchett: Guilty of Literature (first edition 2000! shortlisted for a Hugo Award in 2001). He is currently working on book-length studies of Gregory of Tours and Lois McMaster Bujold. Farah Mendlesohn is Reader in Science Fiction and Fantasy at Middlesex University. She was editor of Foundation: The International Review of Science Fiction from 2001 to 2007 and has also edited or co-edited several collections of essays! including Terry Pratchett: Guilty of Literature (with Edward James! first edition 2000! shortlisted for a Hugo Award in 2001). In 2003 she co-edited The Cambridge Companion to Science Fiction with Edward James (which won the Hugo Award for Best Related Book at the 2005 World Science Fiction Convention). She has edited two anthologies of original science fiction and fantasy! including Glorifying Terrorism in 2007! and co-wrote A Short History of Fantasy (with Edward James! 2009). She is probably best known for her book Rhetorics of Fantasy (2008)! which is recognised as one of the most significant contributions to the study of fantasy and was shortlisted for several awards! winning the British Science Fiction Association award. She is currently working on a book on children's fantasy for Cambridge University Press (with Michael Levey) and on a study of the children's writer Geoffrey Trease. Klappentext "Fantasy is not so much a mansion as a row of terraced houses, such as the one that entranced us in C. S. Lewis's The Magician's Nephew with its connecting attics, each with a door that leads into another world. There are shared walls, and a certain level of consensus around the basic bricks, but the internal decor can differ wildly, and the lives lived in these terraced houses are discrete yet overheard. Fantasy literature has proven tremendously difficult to pin down. The major theorists in the field - Tzvetan Todorov, Rosemary Jackson, Kathryn Hume, W. R. Irwin and Colin Manlove - all agree that fantasy is about the construction of the impossible whereas science fiction may be about the unlikely, but is grounded in the scientifically possible. But from there these critics quickly depart, each to generate definitions of fantasy which include the texts that they value and exclude most of what general readers think of as fantasy. Most of them consider primarily texts of the nineteenth and early twentieth century. If we turn to twentieth-century fantasy, and in particular the commercially successful fantasy of the second half of the twentieth century, then, after Tolkien's classic essay, 'On Fairy Stories', the most valuable theoretical text for taking a definition of fantasy beyond preference and intuition is Brian Attebery's Strategies of Fantasy (1992)"-- 'Given that genre is really a construction of critics, librarians and booksellers, designed to place books in a way that they can be more easily found by consumers, and that fantasy literature is less easy to define than, say, crime fiction, this companion has a large field to cover and does an admirable job of presenting a good overview of the many authors who fit into this [particular] niche.' Stuart Bentley, Reference Reviews Zusammenfassung Since Tolkien! Pratchett! Rowling! Pullman and Meyer! fantasy literature has become one of the most popular genres in the English-speaking world. This book puts this publishing phenomenon in a historical context! sug...
