Fr. 38.30
Tony Fletcher, Suzanne O'Neill
A Light That Never Goes Out - The Enduring Saga of the Smiths
Englisch · Taschenbuch
Versand in der Regel in 2 bis 3 Wochen (Titel wird auf Bestellung gedruckt)
Beschreibung
Zusatztext 90915352 Informationen zum Autor Tony Fletcher Klappentext The definitive book about The Smiths, one of the most beloved, respected, and storied indie rock bands in music history. They were, their fans believe, the best band in the world. Hailing from Manchester, England, The Smiths--Morrissey, Johnny Marr, Andy Rourke, and Mike Joyce--were critical and popular favorites throughout their mid-1980s heyday and beyond. To this day, due to their unforgettable songs and lyrics, they are considered one of the greatest British rock groups of all time--up there with the Beatles, the Stones, the Who, and the Clash. Tony Fletcher paints a vivid portrait of the fascinating personalities within the group: Morrissey, the witty, literate lead singer whose loner personality and complex lyrics made him an icon for teenagers who felt forlorn and forgotten; his songwriting partner Marr, the gregarious guitarist who became a rock god for a generation of indie kids; and the talented, good-looking rhythm section duo of bassist Rourke and drummer Joyce. Despite the band's tragic breakup at the height of their success, A Light That Never Goes Out is a celebration: the saga of four working-class kids from a northern English city who come together despite contrasting personalities, find a musical bond, inspire a fanatical following, and leave a legacy that changed the music world--and the lives of their fans.CHAPTER ONE I don’t really feel any kinship with the place. It’s just somewhere that I just so happen to live. It doesn’t mean a great deal to me. And I’m sure I’ll leave very soon—when I’m rich. —Morrissey, The David Jensen Show, July 1983 We felt like every little town was our hometown. And I think that the people in Inverness and Brighton and St. Austell and Norwich all felt that way when they came out to see us. —Johnny Marr, May 2011 The story of the Smiths is intrinsically entwined with that of Manchester. And yet the group proved curiously conflicted in their loyalties to the city that birthed them—and which has subsequently claimed them as one of its most successful exports and biggest tourist attractions. It’s not just that the Smiths concluded their first album with the disparaging refrain, “Manchester, so much to answer for,” or opened their second one with the equally negative line, “Belligerent ghouls run Manchester schools.” It’s not only that they packed their bags and moved to the British capital at more or less the first sign of success (though the fact that they returned to Manchester a year later suggests that they may have gained a new appreciation for their hometown in their absence). It’s also that the Smiths played in Manchester less often in the entire four years of their performing career than they played in London during their first twelve months alone. Such ambivalence can partly be excused and justified as ambition, a determination to escape the relative confines of their semidetached, semiurban surroundings and spread their musical wings across a national, and then an international, stage. From the beginning, the Smiths sensed greatness, and to realize that greatness meant a refusal to accept confinement to the margins. They were never going to content themselves with being anything as trifling as a mere Manchester band. And yet, more deeply conflicted feelings about their origins are readily understandable. As children, Steven Morrissey and Johnny Marr were ejected from their inner-city childhood homes, in the overlapping neighborhoods of Hulme and Moss Side, and Ardwick, respectively, as part of a sweeping program of “slum clearance” that provided them with better housing, but at the cost of community upheaval. All four members of the band were subject to the city’s arcane and draconian (in their case, Catholic) school system, which failed miserably to provide them with a quality educ...
Produktdetails
| Autoren | Tony Fletcher |
| Mitarbeit | Suzanne O'Neill (Herausgeber) |
| Verlag | Crown Publishing Group |
| Sprache | Englisch |
| Produktform | Taschenbuch |
| Erschienen | 31.12.2013 |
| EAN | 9780307715968 |
| ISBN | 978-0-307-71596-8 |
| Seiten | 720 |
| Abmessung | 131 mm x 203 mm x 38 mm |
| Serie |
Three Rivers Press |
| Thema |
Geisteswissenschaften, Kunst, Musik
> Musik
> Monografien
|
Kundenrezensionen
Zu diesem Artikel wurden noch keine Rezensionen verfasst. Schreibe die erste Bewertung und sei anderen Benutzern bei der Kaufentscheidung behilflich.
Schreibe eine Rezension
Top oder Flop? Schreibe deine eigene Rezension.