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Klappentext This edition of Aperture relaunches the magazine under the title ¿Hello, Photography,¿ a playful nod to Daido Moriyamäs seminal project Bye, Bye Photography. Now divided into two distinct sections, ¿Words¿ and ¿Pictures,¿ the issue offers a broad sweep of key issues for photography today. The new ¿Words¿ section brings readers the sharpest ideas on photography: Charlotte Cotton asks if institutions are stifling innovation; Geoffrey Batchen teases out what social media means for photography; Arthur Ou confronts the challenges of photographic education; and Robin Kesley investigates the key questions driving new scholarship today. Conversations round out this issue¿s ¿Words¿ with Jeff Wall and Lucas Blalock , Mark Westmoreland and Akram Zaatari, and Virginia Rutledge and Penelope Umbrico. ¿Pictures¿ is the magazine¿s superbly printed new visual showcase. Featured for Spring are portfolios from the Gary Winogrand Archive , with curator Leo Rubinfien explaining his new edit to photographer Philip-Lorca diCorcia ; Jason Evans ' street photography; Eva Respini introducing Michele Abeles ; new work by Adam Broomberg and Oliver Chanarin ; a dispatch from Magnum¿s latest road trip with Alec Soth, Zoe Strauss, Jim Goldberg and Mikhael Subotzky ; an introduction to Christopher Williams by Matthew Witkovsky ; Andrew Norman Wilson¿s project on Google Books; James Welling speaks with Phil Chang ; and more. Accessible new columns include The Collectors (with writing by novelists Sam Lipsyte , Teju Cole , Sheila Heti and Heidi Julavtis ); Dispatches ( Jason Fulford walks readers through San Francisco¿s photo scene); and Redux ( David Campany on a lost book by Victor Burgin). Zusammenfassung This edition of Aperture relaunches the magazine under the title “Hello, Photography,” a playful nod to Daido Moriyama’s seminal project Bye, Bye Photography. Now divided into two distinct sections, “Words” and “Pictures,” the issue offers a broad sweep of key issues for photography today. The new “Words” section brings readers the sharpest ideas on photography: Charlotte Cotton asks if institutions are stifling innovation; Geoffrey Batchen teases out what social media means for photography; Arthur Ou confronts the challenges of photographic education; and Robin Kesley investigates the key questions driving new scholarship today. Conversations round out this issue’s “Words” with Jeff Wall and Lucas Blalock , Mark Westmoreland and Akram Zaatari, and Virginia Rutledge and Penelope Umbrico. “Pictures” is the magazine’s superbly printed new visual showcase. Featured for Spring are portfolios from the Gary Winogrand Archive , with curator Leo Rubinfien explaining his new edit to photographer Philip-Lorca diCorcia ; Jason Evans ' street photography; Eva Respini introducing Michele Abeles ; new work by Adam Broomberg and Oliver Chanarin ; a dispatch from Magnum’s latest road trip with Alec Soth, Zoe Strauss, Jim Goldberg and Mikhael Subotzky ; an introduction to Christopher Williams by Matthew Witkovsky ; Andrew Norman Wilson’s project on Google Books; James Welling speaks with Phil Chang ; and more. Accessible new columns include The Collectors (with writing by novelists Sam Lipsyte , Teju Cole , Sheila Heti and Heidi Julavtis ); Dispatches ( Jason Fulford walks readers through San Francisco’s photo scene); and Redux ( David Campany on a lost book by Victor Burgin)....
