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Informationen zum Autor Joshua Malitsky is Associate Professor in the Department of Communication and Culture at Indiana University Bloomington. Klappentext Post-Revolution Nonfiction Film not only presents a critical historical view of the politics, rhetoric, and aesthetics shaping post-revolution Soviet and Cuban culture but provides a framework for understanding the larger political and cultural implications of documentary and nonfiction film. Zusammenfassung Examines nonfiction film and nation building to better understand documentary film as a tool to create powerful historical and political narratives Inhaltsverzeichnis Acknowledgments 1. Introduction: Revolutionary Rupture and National Stability Part 1 2. Kino-Nedelia, Early Documentary, and the Performance of a New Collective, 1917-1921 3. A Cinema Looking For People: The Individual and the Collective in Immediate Post-Revolutionary Cuban Nonfiction Film Part 2 4. The Dialectics of Thought and Vision in the Films of Dziga Vertov, 1922-1927 5. (Non)Alignments and the New Revolutionary Man Part 3 6. Esfir Shub, Factography, and the New Documentary Historiography 7. The Object of Revolutionary History: Santiago Álvarez' Commemorative Newsreels and Chronicle Documentaries, 1972-1974 Notes Filmography Bibliography Index
