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Klappentext This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop/Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations/dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disingenuous practices. Inhaltsverzeichnis Introduction British Cultural Studies Conjunctural Analysis and the Conceptualization of Subcultural ¿Difference¿ Andy Warhol and the Rise of Pop Art in the 1960s The Factory 1964-1967 Pop Art as Pop Life The Velvet Underground Pop Art Merges with Rock and Roll The Foundations of Glitter Rock Alice Cooper The Theatrical Groundwork of Glitter Rock The Early 1970s The Forebearers of Underground Rock Face the 1970¿s as David Bowie Charts His Course Spring 1971 Glitter Rock Becomes an Overt Style Bowie ¿Retires¿ The Fragmentation of Glitter Pop Practices/Subcultural Articulations
