Towards a Theory of Montage - Sergei Eisenstein Selected Works, Volume 2

Informationen zum Autor Richard Taylor is Emeritus Professor of Politics at Swansea University, Wales, UK. His previous publications include Film Propaganda: Soviet Russia & Nazi Germany (1998), The Battleship Potemkin (2001) and October in the BFI Film Classics series (2002). He is founding editor of the KINO Series. The name of Sergei Eisenstein (1898-1948) is synonymous with the idea of montage, as exemplified in his silent classics such as "The Battleship Potemkin" (1925) and "October" (1927). This title includes a series of his essays written between 1937 and 1940 which elaborate his ideas on montage. Zusammenfassung The name of Sergei Eisenstein (1898-1948) is synonymous with the idea of montage, as exemplified in his silent classics such as "The Battleship Potemkin" (1925) and "October" (1927). This title includes a series of his essays written between 1937 and 1940 which elaborate his ideas on montage. Inhaltsverzeichnis General Editor's PrefaceMichael Glenny: An AppreciationNote on SourcesIntroduction: Geoffrey Nowell-SmithOn the Story of 'Montage 1937' - Naum KleimanForeword1 Draft of 'Introduction'Part One: Montage in Single Set-Up Camera2 Montage 19373 Montage and Architecture4 YermolovaPart Two: Montage in Multiple Set-Up Camera5 Laocoon6 Pushkin the MontageurPart Three: Sound-Film Montage7 [Rhythm]8 'The Girl like a Ray of Light'9 On Colour10 Unity in the Image11 Tolstoy's 'Anna Karenina' - the Races12 Montage 193813 Vertical MontageNotesIndex

Dettagli sul prodotto

• Autori: Sergei Eisenstein, Sergei M. Eisenstein, Eisenstein Sergei
• Con la collaborazione di: Michael Glenny (Editore), Glenny Michael (Editore), Richard Taylor (Editore), Michael Glenny (Traduzione), Glenny Michael (Traduzione)
• Editore: Bloomsbury Academic
• Lingue: Inglese
• Formato: Tascabile
• Pubblicazione: 22.06.2010
• EAN: 9781848853560
• ISBN: 978-1-84885-356-0
• Pagine: 448
• Dimensioni: 150 mm x 229 mm x 25 mm
• Categorie: Scienze umane, arte, musica > Arte > Fotografia, cinematografia, video, TV; PERFORMING ARTS / Film / History & Criticism, Individual Film Directors, Film-Makers, Film Theory & Criticism, PERFORMING ARTS / Individual Director, Film history, theory or criticism