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Zusatztext 'This book has a good feel to it. Pictures! diagrams and cartoons are used effectively and the chapters are brief and to the point. Result - my awareness of the sources is enhanced! and I can now hope to become a better historian.' - SATH History Teaching Review Informationen zum Autor Sarah Barber is Senior Lecturer in the History Department at Lancaster University. Her publications include Regicide and Republicanism: Politics and Ethics in the English Revolution (1998) and A Revolutionary Rogue: Henry Marten and the English Republic (2000). Corinna Peniston-Bird is Senior Lecturer in the History Department at Lancaster University. Her publications include A Soldier and a Woman: Women in the Military (co-edited with G. J. DeGroot, 2000) and Contesting Home Defence: Men, Women and the Home Guard in the Second World War (with Penny Summerfield, 2007) Klappentext Sources are the bedrock of history. But over the past few years the question of 'what is a historical source' has become an increasingly prominent concern. In History Beyond the Text, Sarah Barber and Corinna Peniston-Bird, open up the discussion on sources to those beyond the 'traditional' ones. Zusammenfassung Sources are the bedrock of history. But over the past few years the question of 'what is a historical source' has become an increasingly prominent concern. In History Beyond the Text, Sarah Barber and Corinna Peniston-Bird, open up the discussion on sources to those beyond the 'traditional' ones. Inhaltsverzeichnis 1. Introduction Sarah Barber and Corinna Peniston-Bird 2. Fine Art: The Creative Image Sarah Barber 3. The Cartoon: The Image as Critique Frank Palmeri 4. The Photograph: The Still Image Derek Sayer 5. Film and Television: The Moving Image Jeffrey Richards 6. Music: The Creative Sound Burton W. Peretti 7. Oral Testimony: The Sound of Memory Corinna Peniston-Bird 8. The Internet: Virtual Space Lisa Blenkinsop 9. Landscape: The Configured Space Tom Williamson 10. Architecture: The Built Object Christopher Long 11. Material Culture: The Object Adrienne D. Hood ...
