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Informationen zum Autor Dubravka Žarkov is an Associate Professor in Gender, Conflict, and Development Studies at the Institute of Social Studies in The Hague. She is a coeditor of The Postwar Moment: Militaries, Masculinities, and International Peacekeeping and an associate editor of Focaal: European Journal of Anthropology. Klappentext In The Body of War, Dubravka ¿arkov analyzes representations of female and male bodies in the Croatian and Serbian press in the late 1980s and in the early 1990s, during the war in which Yugoslavia disintegrated. ¿arkov proposes that the Balkan war was not a war between ethnic groups; rather, ethnicity was produced by the war itself. ¿arkov explores the process through which ethnicity was generated, showing how lived and symbolic female and male bodies became central to it. She does not posit a direct causal relationship between hate speech published in the press during the mid-1980s and the acts of violence in the war. Instead, she argues that both the representational practices of the "media war" and the violent practices of the "ethnic war" depended on specific, shared notions of femininity and masculinity, norms of (hetero)sexuality, and definitions of ethnicity.Tracing the links between the war and press representations of ethnicity, gender, and sexuality, ¿arkov examines the media's coverage of two major protests by women who explicitly identified themselves as mothers, of sexual violence against women and men during the war, and of women as militants. She draws on contemporary feminist analyses of violence to scrutinize international and local feminist writings on the war in former Yugoslavia. Demonstrating that some of the same essentialist ideas of gender and sexuality used to produce and reinforce the significance of ethnic differences during the war often have been invoked by feminists, she points out the political and theoretical drawbacks to grounding feminist strategies against violence in ideas of female victimhood. Zusammenfassung Analyses representations of female and male bodies in the Croatian and Serbian press in the late 1980s! and in early 1990s during the war in which Yugoslavia disintegrated. This book proposes that the Balkan war was not a war between ethnic groups; rather! ethnicity was produced by the war itself. Inhaltsverzeichnis Acknowledgments ix Introduction 1 Part I. The Maternal Body 1. The Whore against the Mother of All Serbs 19 2. Pictures of the Wall of Love 43 3. Troubles with Motherhood 69 Part II. The Victimized Body 4. The Body of All Serbs 85 5. All the Bodies of Croatia 102 6. Sexual Geographies of Ethnicity 116 7. On Victims and Villains 143 8. The Body of the Other Man 155 9. Troubles with the Victim 170 Part III. The Armed Body 10. Soldirs of Tradition 191 11. Troubles with Arms 212 Notes 233 Bibliography 257 Index 281...
