Ulteriori informazioni
Zusatztext "A memoir of growing up as a girl in revolutionary Iran! Persepolis provides a unique glimpse into a nearly unknown and unreachable way of life... That Satrapi chose to tell her remarkable story as a gorgeous comic book makes it totally unique and indispensable." -- Time Informationen zum Autor MARJANE SATRAPI was born in Rasht, Iran. She now lives in Paris, where she is a regular contributor to magazines and newspapers throughout the world, including The New Yorker and The New York Times. She is the author of Persepolis, Persepolis 2, Embroideries, Chicken with Plums, and several children's books. She cowrote and codirected the animated feature film version of Persepolis, which was nominated for an Academy Award for Best Animated Feature. Her most recent film was a live-action version of Chicken with Plums. Klappentext Here, in one volume: Marjane Satrapi's best-selling, internationally acclaimed graphic memoir. Persepolis is the story of Satrapi's unforgettable childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private life and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trials of adolescence far from her family; of her homecoming--both sweet and terrible; and, finally, of her self-imposed exile from her beloved homeland. It is the chronicle of a girlhood and adolescence at once outrageous and familiar, a young life entwined with the history of her country yet filled with the universal trials and joys of growing up. Edgy, searingly observant, and candid, often heartbreaking but threaded throughout with raw humor and hard-earned wisdom--Persepolis is a stunning work from one of the most highly regarded, singularly talented graphic artists at work today. Leseprobe INTRODUCTION To the 20th Anniversary Edition When Persepolis was first published in France in 2000, I was sure the world was headed in the right direction. There were no major wars, and it seemed that humanity had somehow learned from its mistakes, that in the twenty-first century we’d finally come to realize that the earth belonged to everyone equally and that we were one race—the human race. Believing this, I was certain the need for the book would fade over time. That soon enough what I had written about—living through a revolution and a war and growing up under the Islamic Republic of Iran’s dictatorship—would feel like ancient history. Unfortunately, I was wrong. Persepolis was released in the United States in 2003, in the aftermath of 9/11, and we Iranians had come to be considered part of the Axis of Evil. I was invited to appear across the country, even at West Point, where I spoke about the importance of differentiating between the Iranian people and the actions of the Islamic Republic, and I became a vocal critic of the war in Iraq, pointing out the hypocrisy of trying to instill democracy with bombs. In the years since, the book has been both beloved and banned. Banned for its sexual scenes (I still don’t know where those scenes are); for its torture scenes (because it’s acceptable for assault rifles to be legal in the United States, even if that frequently results in the murder of innocent people, but it’s not okay for a reader to see a single drawing documenting the torture of political prisoners); and, more recently, because of Islamophobia. I take the book’s banning as a huge compliment. A banned book is always a good book. After all, what better company to be in than Oscar Wilde and Mark Twain? Now, as I write this, a new revolution is happening in Iran, started by young women in response to the killing of Mahsa Amini. It’s the first feminist revolution in which women and men are fighting together, hand in han...
