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Informationen zum Autor GREG GIESEKAM sits on the Board with Ankur Productions and was a Senior Lecturer in Theatre Studies at the University of Glasgow, UK until 2006. Klappentext The use of film and video is commonplace in contemporary theatre, viewed by some as contaminating theatre's 'liveness', by others as inevitable and desirable. After tracing the history of current approaches back to early practitioners such as Méliès, Painlévé and Piscator, Staging the Screen explores in detail recent productions by Svoboda, the Wooster Group, Forkbeard Fantasy, Forced Entertainment, Station House Opera, and Lepage. It charts the impact of developing technologies and addresses critical issues raised by multi-media and intermedia work. Zusammenfassung The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work Inhaltsverzeichnis List of Illustrations General Editor's Preface Acknowledgements Introduction: Contamination or Remediation? Magic to Realism: European Pioneers Polyscenicness: Josef Svoboda and Laterna Magika Big Screen to Small Screen Postmodern Collage: The Wooster Group Third-hand Photocopies: Forced Entertainment Live Films on Stage: The Builders Association Crossing the Celluloid Divide: Forkbeard Fantasy Quantum Theatre: Station House Opera Electric Campfires: Robert Lepage Conclusion Index.
