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Zusatztext The most unlikely album made the best 33 1/3: Celine Dion isn’t usually afforded the same respect as a Bob Dylan or a Joni Mitchell, but Carl Wilson uses her populist art and personal history to ask questions about class, taste, and race in an effort to figure out how one of the most popular singers in the world could be loved and hated in equal measure. The answers he finds aren’t always comfortable, but that only makes them more important and crucial to criticism in the 21st century. Informationen zum Autor Carl Wilson is the music critic at Slate and also writes for The Globe and Mail , Hazlitt , The New York Times Magazine and many other online and print publications. He lives in Toronto, where he is the doorman at the Trampoline Hall Lecture Series. Klappentext Non-fans regard Céline Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her (creepy) manager-husband's struggle with cancer, her knack for howling out raw emotion. There's nothing cool about Céline Dion, and nothing clever. That's part of her appeal as an object of love or hatred - with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt. This book documents Carl Wilson's brave and unprecedented year-long quest to find his inner Céline Dion fan, and explores how we define ourselves in the light of what we call good and bad, what we love and what we hate. Vorwort This book is a riveting investigation of what it means to love music and what it means to hate music, both of good taste and bad taste. Zusammenfassung Non-fans regard Celine Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her manager-husband's struggle with cancer, her knack for howling out raw emotion. This book documents author's brave and unprecedented year-long quest to find his inner Celine Dion fan....
