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Performing Waste offers groundbreaking insights into the vibrant interdisciplinary field of waste studies through the lens of performance and artistic practice.
This pioneering collection examines how waste and wasting are performed across diverse media and genres, from Afrofuturist musical works to contemporary scrap art installations. Distinguished international scholars present original research using situated methodologies, including ethnographic approaches, to analyse compelling case studies that span global contexts. The volume explores eco-trauma and toxic kinship in artistic works, investigates the relationship between extractivism and knowledge production, and examines critical sites like the Polish-Belorussian border and e-waste processing in Ghana and Peru. By reframing familiar environmental narratives and introducing novel perspectives on waste agency, materiality, and performance, the collection challenges conventional understandings of our discarded materials and practices. Each contribution illuminates how waste performance can help us reimagine ecological relationships and envision alternative futures beyond extractivist paradigms.
This volume is an essential reading for students and scholars in environmental humanities, post humanist theory, decolonial studies, eco-arts, media studies, and performance studies, as well as anyone concerned with creative responses to our global waste crisis.
Sommario
Note on ContributorsPerforming Waste: An Introduction
by Dorota Sajewska, Mägorzata SugieraPart I: Practices of Wasting and KnowingChapter 1. Beneath Your Very Eyes
by Ruth SchmidtChapter 2. The Rejected Remains as Fact
by Katarzyna TrzeciakChapter 3. Notes on Waste
by Dorota SajewskaChapter 4. On Rag-picking as Creative Intervention in Knowledge Production
by Mägorzata SugieraPart II: Following WasteChapter 5. Unruly Performativity and Tactics of the Wastebound
by Mateusz BorowskiChapter 6. Suspending Discarding
by Bettina KnaupChapter 7. The Art of Scrap
by Marta Tomczok and Pawe¿ TomczokChapter 8. Below the Threshold
by Julia SchadeChapter 9. People on the Move and Their Things
by Filip RybaPart III: Re-membering Wasted LandsChapter 10. Spoiling Occupation
by Mateusz ChaberskiChapter 11. Living after an End of the World
by Catherin PersingChapter 12. Wandering through the Smell of the Capitalocene
by Leon GabrielChapter 13
. Sirenology and the Enchantment of Plastic
by Fabienne LiptayIndex
Info autore
Dorota Sajewska is a Full Professor for Theatre and Performance Studies at the Ruhr-University Bochum, Germany.
Malgorzata Sugiera is a Full Professor at Jagiellonian University in Krakow, Poland, and Head of the Department of Performativity Studies.