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Jenna Kemp beschreibt die Entstehung der Bibel als einen Prozess des kulturellen Gedächtnisses, in dem das Vergessen eine zentrale Rolle spielt. Anhand sekundärer Fortschreibungen erörtert sie die Bedeutung tradierender Schriftgelehrter als Vermittler und Gestalter von Gedächtnis und Textbedeutung.
Sommario
Introduction
1. Cultural Memory
2. Method and Structure
Chapter One: A Theory of Cultural Memory: Memory, Intertextuality, and Agency
1. Theorists
2. Literature as a Site of Memory
3. Intertextuality and Agency
4. Remembering and Forgetting
5. Cultural Memory in Biblical Studies
6. The Scribal Turn
Chapter Two: Canon: Intertextuality in Exodus 34:11-17
1. Allusion as an Act of Remembering
2. Relative Date of Exodus 34:11-26
3. Exodus 34:11-14, 15-16, 17
4. Canon as a Site of Memory
Chapter Three: Isaiah the Seer: Metaphor and Temporality in Isaiah 2
1. Composition and Structure
2. Old Poem: Isaiah 2:10.12-17*
3. "Revision through Introduction" (and Conclusion)
4. Isaiah the Seer: Temporality between Utterance and Fulfillment
5. Conclusion
Chapter Four: Divine History: Ambiguity and Resolution in 1 Samuel 13-15
1. Composition History
2. Saul as Yahwist: 1 Samuel 13:2-14:52 Prior to the Insertions
3. Saul Rejected
4. Reading the Composite: Gaps and Ambiguities
5. Conclusion: Divine History as a Site of Memory
Conclusion
Info autore
Born 1987; 2011-14 MA (Biblical Studies, Graduate Theological Union); 2014-21 PhD (Hebrew Bible, UC Berkeley); 2021-24 Postdoc (Universität Basel); lecturer at UC Berkeley.
