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This pioneering study provides a critical appraisal of pop star Kylie Minogue. It argues that a study of this mononymous global pop icon and celebrity - as "Kylie," she takes her place alongside Cher, Madonna and Beyonce in the pop pantheon - is long overdue. Written by academics, music practitioners, and fans, this book argues that Minogue''s persona, performances and reception provide new critical insights into contemporary pop music culture, digital media, and celebrity. It further argues that dismissals of Kylie underestimate her accomplishments as a pop artist and singer-songwriter and undermine fans of pop music who form deep, affective bonds with performers, songs and albums. Contributors draw on current perspectives in pop music studies, feminism, celebrity studies, fandom, and queer studies, a range revealing that to interpret Kylie is to engage compelling cultural frameworks. Across four parts (Pop Girlhood, Global Kylie, Dance Music, and Queer and Online Fandoms) the book demonstrates how Minogue herself makes important interventions into contemporary popular culture, with her career providing a micro-history of pop music, its myriad cultural meanings, and its fan practices. With this collection, Kylie Minogue studies has arrived.
Sommario
List of IllustrationsNotes on ContributorsAcknowledgements Introduction: Kylie and Her Lovers: Performance, Celebrity and FandomStephen O'Neill (Maynooth University, Ireland) and Maria Pramaggiore (Appalachian State University, USA)I: Pop Girlhood1. The 'Aussie' Next Door:
Neighbours, Charlene, and Kylie's 'Ocker' Origins
Joanna McIntyre McIntyre (Swinburne University of Technology, Australia) and Anthea Taylor (University of Sydney, Australia)2. Performing White Girlhood: Kylie Minogue's Pop Persona in the 1980s
Laura Watson (Maynooth University, Ireland)II: Global Kylie3. Excuse My French: Kylie, Cosmopolitanism and Creative Autonomy
Drago Momcilovic (University of Wisconsin-Madison, USA)4. The Golden Girl Next Door: Transmedia Celebrations of Kylie's 50th
Ruth A Deller (Sheffield Hallam University, UK)5. From Reddy's Roar to Kylie's Padam: Relational Celebrity and Feminist Camp
Maria Pramaggiore (Appalachian State University, USA)III: Dance Music: Disco, House, Remix6. 'I Wanna Go Out Dancing': Disco and the Performative Persona of Kylie Minogue
Lee Barron (Northumbria University, UK)7. From Underground to Mainstream: Kylie Minogue and French House
Sébastien Lebray (University of Strasbourg, France)8.
Can't Get You Out Of My Web: Remixing Kylie as Digital Creative Practice
Claire Fitch (Dundalk Institute of Technology, Ireland)IV: Queer and Online Fandoms: Performing Kylie9. Camping Up a Pop Princess: Kylie Minogue and Gay Iconicity
Páraic Kerrigan (University College Dublin, Ireland)10. #PadamPadam: The Affective Spaces of Kylie Minogue's Digital Media Fandoms
Stephen O'Neill (Maynooth University, Ireland)11. Against Interpretation (after Kylie)
Sunil Manghani (University of Southampton, UK)Index
Info autore
Stephen O’Neill is Associate Professor in English, National University of Ireland Maynooth. The
author of Shakespeare and YouTube (Arden Shakespeare / Bloomsbury 2014), Staging
Ireland: Representations in Shakespeare and Renaissance Drama (2007), and co-
editor of The Arden Research Handbook to Shakespeare and Adaptation (Arden Shakespeare /
Bloomsbury 2022), he has published widely on adapted Shakespeare. His new research is in the arboreal humanities.
Maria Pramaggiore is Professor and Chair of the Department of Interdisciplinary Studies at
Appalachian State University in Boone, NC, USA. She has published widely on film and media and gender and sexuality. Recent publications include ‘Feminism and Auteurism and the 1970s, In Theory,’ in Women and New Hollywood: Gender, Creative Labor and 1970s American Cinema, ed. Aaron Hunter and Martha Shearer (2023) and ‘Streaming Bloody Murder: Documentary Celebrity and Sophie Toscan du Plantier Anniversary Media,’ co- authored with Páraic Kerrigan (Celebrity Studies, 2023).
