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Contemporary Chord Workbook - Book One is a fill-in-answer style workbook suitable for students of all instruments. It is designed to complement and follow on from Margaret Brandman's Contemporary Theory Workbook - Books One and Two, and can be used in conjunction with books 1A, 1B, 2A, and 2B of Margaret Brandman's Contemporary Piano Method. The book presents the building blocks of all three and four-note chords found in both Classical and Modern Music. It not only develops a thorough knowledge of chords, but also demonstrates the relationship of chords to all types of Major and Minor Scales, Keys, and Modes, providing information on Modes and Scales that can be used to improvise melodies over the harmonies.
Each type of chord is thoroughly explained from several points of view and sufficient exercises are provided to enable the student to gain a thorough understanding of chords in all keys. Each section concludes with a piece of music for the student to apply their newly acquired chord understanding. An answer book is also available from the author's website.
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Highly-awarded composer, pianist, recording artist and music educator, Margaret Brandman's career in music spans more than 50 years. As a successful and innovative composer, she has combined her compositional interests with her interest in accelerated learning techniques for music. Margaret is a fully represented composer at the Australian Music Centre. She has composed an extensive range of works for a variety of ensembles, ranging from full orchestra, to intimate chamber works for piano, voice, and a range of instrumental combinations. These works receive international performances and recordings. She is represented by Parma Recordings, Ambition Records, ModernClassicalX, and Furore Music. In addition to her compositional output, Margaret has written and published many music education materials in her contemporary series of education materials. These range from books for junior students to text books for high school and tertiary study. Her investigation of keyboard topography, musical patterns, and the gestalt approach to fingering of the scales, is published in Pictorial Patterns for Keyboard Scales and Chords. With over 100 published books and compositions, much of her time is spent composing, performing concerts of her compositions both in Australia and internationally, and presenting master classes on music education.
