Fr. 169.00

Hearing Death at the Movies - Film Music and the Long History of the Dies Irae

Inglese · Copertina rigida

Spedizione di solito entro 6 a 7 settimane

Descrizione

Ulteriori informazioni

The Dies Irae is a melody that composers of film music have employed in hundreds of films, ranging from Metropolis to The Shining, and Star Wars. It is a product of more than 800 years of musical transformation, finding purchase in a variety of musical environments, including the church, the concert hall, and the cinema. Based on a corpus of nearly 300 films, Hearing Death At the Movies models two new ways of thinking about the Dies Irae. First, it identifies three different versions of the melody, each of which signifies a different function of film music. Second, it traces the semantic shift of the Dies Irae from its religious roots to its secular perception as a symbol of death. This study of the most widely-used theme in film music history will change how you listen to movies.

Sommario

Chapter 1: Introduction: The "Other" in Horror; the Dies Irae as "Other".- Part I: History.- Chapter 2: Making of a Musical Meme: Wendy Carlos & Stanley Kubrick.- Chapter 3: Tracing Film Music's Most Ubiquitous Melody: Silent Films, Dimitri Tiomkin, and Vampires.- Part II: Theory.- Chapter 4: The Many Guises of Dies Irae: "Prelude to Evil," "Ominous Echo," and "Tension Engine".- Chapter 5: "It Seems to Belong to Civilization": The Dies Irae in Italy, Camp Crystal Lake, and a Galaxy.- Chapter 6: Afterword: The Ghost Light.

Info autore

Alex Ludwig is Associate Professor of Music at Berklee College of Music in Boston, Massachusetts, USA.

Riassunto


The 
Dies Irae 
is a melody that composers of film music have employed in hundreds of films, ranging from
Metropolis
to 
The Shining,
 and 
Star Wars
. It
 
is a product of more than 800 years of musical transformation, finding purchase in a variety of musical environments, including the church, the concert hall, and the cinema. Based on a corpus of nearly 300 films, 
Hearing Death At the Movies
 models two new ways of thinking about the 
Dies Irae
. First, it identifies three different versions of the melody, each of which signifies a different function of film music. Second, it traces the semantic shift of the 
Dies Irae
 from its religious roots to its secular perception as a symbol of death. This study of the most widely-used theme in film music history will change how you listen to movies.

Dettagli sul prodotto

Autori Alex Ludwig
Editore Springer, Berlin
 
Lingue Inglese
Formato Copertina rigida
Pubblicazione 13.04.2025
 
EAN 9783031787942
ISBN 978-3-0-3178794-2
Pagine 239
Dimensioni 148 mm x 18 mm x 210 mm
Peso 440 g
Illustrazioni XXVI, 239 p. 133 illus.
Categorie Scienze umane, arte, musica > Musica

Klassik, Star Wars, Orchester und formale Musik, Film, Kino, Music, The Shining, Dies irae, Classical Music, Film Studies, Film music, Medieval music

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