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The films of the New French Extremity have been reviled by critics but adored by fans and filmmakers. Known for graphically brutal depictions of sex and violence, the subgenre emerged from the French art-house scene in the late 1990s and became a cult phenomenon, eventually merging into the horror genre where it became associated with American torture porn.
Decidedly French in flavor, the films seek to reveal the dark side of French society. This book provides an in-depth study of New French Extremity, focusing on such films as Trouble Every Day (2001), Irreversible (2002), Twentynine Palms (2003), High Tension (2003) and Martyrs (2008). The author explores the social implications of cinematic cruelty presented not as "violent films" but as "films about violence."
Sommario
Table of ContentsAcknowledgments
Foreword by Andrea Subissati
Introduction
1¿¿¿Vive la Révolution! France's Bloody and Divided History
2¿¿¿Cinéma pour Tous: The Film Industry in France
3¿¿¿Time Destroys All Things: Gaspar Noé's Carne (1991), I Stand Alone (1998) and Irréversible (2002)
4¿¿¿Body Commodification: Romance (1999), Pola X (1999) and Baise-moi (2000)
5¿¿¿In Wolf's Clothing: Sombre (1998) and L'Humanité (1999)
6¿¿¿Fine Young Cannibals: Trouble Every Day (2001) and In My Skin (2002)
7¿¿¿Lovers in a Dangerous Time: Criminal Lovers (1999) and Twentynine Palms (2003)
8¿¿¿Without Borders: Intimacy (2001), Demonlover (2002) and Ma Mère (2004)
9¿¿¿I Won't Let Anyone Come Between Us: High Tension (2003)
10¿¿¿Bon Voyage: Calvaire (2004), Sheitan (2006) and Frontier(s) (2007)
11¿¿¿Enfant Terrible: Them (2006) and The Pack (2009)
12¿¿¿It's So Easy to Create a Victim: Martyrs (2008)
13¿¿¿Living Womb: Inside (2007)
14¿¿¿American Remakes in New French Extremity: The Hills Have Eyes (2006), Mirrors (2008), The Eye (2008) and Maniac (2012)
Conclusion
Appendix: The Business of Violence: An Interview with Colin Geddes
Chapter Notes
Bibliography
Index
Info autore
Alexandra West has written about genre films for The Toronto Star, Rue Morgue Magazine and Offscreen Film Journal. In 2012, she co-founded the Faculty of Horror podcast, exploring the films' analytical side. She lives in Toronto, Ontario.
