Ulteriori informazioni
Although fantasy and supernatural literature have long and celebrated histories, many critics contend that the fantastic and the supernatural have no place in the logical, rational, world of the detective story. This book is the first extensive study of the fantastic in detective fiction and it explores the highly debated question of whether detective fiction and the fantastic can comfortably coexist.
The "locked room" mystery--which often uses the fantastic as a red herring to eventually be debunked by reason and logic--has long been among the most popular subgenres of detective fiction. This book also explores stories featuring almost supernaturally gifted detectives, stories where the supernatural is truly encountered, and stories with ambiguous endings.
Close to 500 detective stories from 1841 to 2000, in which the fantastic or supernatural plays a central role, are discussed and analyzed. Although not all the stories are judged to be successful as detective tales, in the great majority, the fantastic enlivens the tale and deepens the mystery without weakening the detective elements.
Sommario
Table of ContentsPreface
Introduction: Bringing the Fantastic and the Detective Together
Part 1.¿The Apparently Fantastic Shown to Be Natural
One.¿Locked-Room Murders and Other Impossible Crimes
Two.¿Other Fantastic Scenarios
Three.¿Superstitions, Prophecies and Curses
Four.¿The Charlatan Occult Detective
Part 2.¿A Touch of the Fantastic
Five.¿The Super-Sensitive Detective
Six.¿The Fanciful, the Fabled and the Psychological
Part 3.¿The Truly Supernatural
Seven.¿The Supernatural Experienced or Investigated
Eight.¿The Supernatural Combatted
Part 4.¿Supernatural or Natural?
Nine.¿The Intrigue of Unanswered Questions
Conclusion: The Detective, the Rational and the Fantastic
Bibliography
Index
Info autore
Laird R. Blackwell is a humanities professor emeritus at Sierra Nevada College in the Lake Tahoe area of western Nevada, where he taught psychology and literature for 31 years. He is the author of four critical studies of detective fiction for McFarland and the recipient of nominations for an Edgar Award and an Agatha Award.
