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This comprehensive portrait of Tropicalia, from influences to results, from context to main players, and everything in between also explores how Tropicalia helped reinvent Brazil''s cultural identity in a post-colonial world. The genre''s conceptual core comes from a unique mix of native and foreign influences: Tropicalia doesn''t repudiate the international pop panorama, but instead aligns with the era by assuming itself as its undeniable product. The book discusses the strangling military dictatorship and its resulting censorship serving as the sociopolitical backdrop, and Tropicalia''s incisive criticism of imperialism through symbolism and allegory. It also reveals an enthusiastic desire for propelling culture (and counterculture in particular) forward, repudiating senseless conservatisms and niche intellectualisms in favour of a broader reach of Brazilian music. While Bossa Nova nurtured a snobbish audience rooted in jazz and MPB spoke to a multicultural yet oppressed nation, Tropicalia invested in a crossover instigated by the progressive youth who refused to glorify a past it didn''t identify with and whose outdated codes it didn''t intend to perpetuate.>
Info autore
Ana Leorne is a writer, artist, musician and researcher based in Paris, France. She holds a BA in Fine Arts, an MA in Film Studies and a PhD in Visual Cultures. Formerly an associate editor at The 405 and digital media executive at MTV Portugal, her work has appeared in Bandcamp, Grammys, SFGate, SPIN, The Guardian and many others. She’s also the author of This is the Strangest Life I’ve Ever Known: A Psychological Portrait of Jim Morrison (2023).
