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This book asserts that there is no political representation without performance. When politicians, protesters, or politically engaged entertainers appear in public, they make or constitute political representation by performing it, shaping how we conceive roles and institutions and imagine society and democracy.
Sommario
- 1: Paula Diehl: The 'Jupiterian' Risk in Democratic Representation: The Representative's Body in Political Performance'
- 2: Dario Castiglione: The Performativity of Political Representation: Constructing the Public, Constructing the Democratic Subject
- 3: Michael Saward: Presence, Power, and Performing Political Representation; Or, What Happens in The Square?
- 4: Eline Severs and Petra Meier: To Thine Own Self be True: How Authenticity Shapes the Performance of Political Representation
- 5: Lisa Disch: The Council Chamber and the Politics of Encounter
- 6: Karen Celis and Sarah Childs: Performing Democratic Listening
- 7: Shirin Rai: Shaheen Bagh: Performing Struggles for Citizenship
- 8: Jean-Pascal Daloz: Political Representatives and the Issue of the Eminent Image: Theoretical Reflections and Comparative Explorations
- 9: John Street: The Sound of Political Representation: From Performance to Protest
- 10: Amanda Machin: Performing Representation on a Pedestal: The Politics of Statues
- 11: Julia Peetz: Performing Political Myth
- 12: Mihnea Tanasescu: Political Representation and the Performance of Ecological Restoration
Info autore
Paula Diehl is Professor for Political Theory, History of Ideas, and Political Culture, and Director of the International Populism Research Network, at the University of Kiel, Germany. She held fellowships and guest professorships among others at Sciences Po (Paris), École des Hautes Études, U-Penn, Institute for Advanced Studies (Bologna) and La Sapienza (Rome). Her research is dedicated to political representation and body performances, the political imaginary, democratic theory and populism, including the normalization of the far right. She developed a concept of political representation that integrates the symbolic and the imaginary dimensions of politics.
Michael Saward is Professor of Politics and International Studies at the University of Warwick, UK. He was head of Department of Politics at the Open University, and Director of the Midlands Graduate School ESRC Doctoral Training Centre from 2013 to 2016 at Warwick. His key area of research is contemporary democratic theory. In recent years he has focused on the theories of representation and performance. A Major Research Fellowship from the Leverhulme Trust supported research on Democratic Design (2016-19). He has been a visiting scholar at Universidad Nacional Autónoma de México, Universidade Federal de Minas Gerais (Brazil), and Australian National University.
Riassunto
This book asserts that there is no political representation without performance. When politicians, protesters, or politically engaged entertainers appear in public, they make or constitute political representation by performing it, shaping how we conceive roles and institutions and imagine society and democracy.
