Technologies of the Self-Portrait - Identity, Presence Construction of Subject s in Twentieth Twenty

This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production.

Sommario

Introduction
1. The Invention of the Self-Portrait
2. The Photographic Self-Portrait
3. Sculpting the Self
4. Video Self-Portraits
5. The Selfie
Conclusion

Riassunto

This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production.

Dettagli sul prodotto

• Autori: Gabriella Giannachi, Gabriella (University of Exeter Giannachi, Giannachi Gabriella
• Editore: Taylor & Francis Ltd.
• Lingue: Inglese
• Formato: Tascabile
• Pubblicazione: 26.08.2024
• EAN: 9781032310183
• ISBN: 978-1-0-3231018-3
• Pagine: 152
• Serie: Routledge Advances in Art and Visual Studies
• Categorie: Scienze umane, arte, musica > Arte > Tematiche generali, enciclopedie; History, Media Studies, Sociology, Theory of art, ART / Subjects & Themes / Portraits, ART / History / General, ART / Criticism & Theory, ART / History / Modern (late 19th Century to 1945), ART / Art & Politics, ART / History / Contemporary (1945-), ART / Conceptual, History of art / art & design styles, Theatre Studies, History of Art, Humanities, Social, group or collective psychology, Regional Studies, Regional / International studies, Gender studies, gender groups, Performance Art