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Riches to rags. ... Controlling to chaos. ... But murder ... not this time!
One night 10 years ago, 8-year-old Crystal, vanished from her bed in her parents' house, the only clue a footprint in the flowerbed below the girl's window. Now that footprint's reappeared, this time at the scene of another crime, and Doreen is under strict orders not to stick her nose into Corporal Mack Moreau's new investigation.
But while Mack is busy with the new case, Doreen figures it can't hurt if she just takes a quick look at the old one. Her house is empty, her antiques removed, and she has time on her hands. She's finished working on Penny's garden and needs a new project to keep her busy - and allow her to avoid the heavy work waiting in her own garden.
And with the help of her assistants, Thaddeus the parrot, Goliath the Maine Coon, and Mugs the Basset, soon Doreen is busy navigating the world of pawn shops and blackmail as she looks for clues as to what happened to the girl stolen from her bedroom so many years ago. Surely, it's not her fault when her case butts up against the new one - is it?
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Hey there. I'm a Canadian USA Today best-selling author, and I love writing for everyone-whether you're young, old, or somewhere in between. My books? Well, they're a mixed bag. Some are steamy, some are sweet, and a few might have you sleeping with the lights on. Others are perfect for snuggling up with.I've never been one to color inside the lines or stick to a single path. I embrace the wild stories that pop into my head, even if they break the rules and dance across genres. A few years ago, I switched to dictating my stories because my fingers were starting to feel the impact of my steady 10,000 words a day. Dictating is linear, so it silences my internal editor. You can't stop to ensure something is perfect or to see what needs changing-you must continue onward. This approach has allowed me to let my muse take the lead and to feel the story pour from my heart. My mind steps in during the editing process, but, until then, it's all about letting the characters direct the story. That's why my stories have that existential feel of a Dale Mayer book.And you know what? That's totally okay with me.One thing's for sure: every book I write promises to be a great read, every single time.
