Ulteriori informazioni
This collection of essays situates George Gascoigne in context as the pre-eminent writer of the early part of Queen Elizabeth's reign.
Sommario
Introduction by Arthur Kinney / 1. Robert Maslen, "Gascoigne, Piccolomini, and the Demilitarisation of the Siege of Troy" / 2. Jane Griffiths, "
Ficta sub imagine texta: John Skelton and George Gascoigne" / 3. Mike Pincombe, "George Gascoigne and Female Complaint" / 4. Richard McCoy, "Gascoigne's Poses and
Supposes" / 5. Stephen Hamrick, " "Certain decayed men": Gascoigne's Catholic Maske" / 6. Elizabeth Heale, "Spenser and Gascoigne" / 7. Chris Goodwin, "Gascoigne's Lute, Gascoigne's Sparrow and Gascoigne's Goodnight:
imitatio and the "verie sweete notes adapted" / 8. Michael Hetherington, "Gascoigne, Miscellaneity, and Aesthetic Satisfaction" / 9. David Trim, "Gascoigne the soldier-poet: rhetoric, representation and reality" / 10. Susan C Staub, "'Pretty conceits as pleased her peevish fantasy': the 'Manling' Secretary in
The Adventures of Master F.J." / 11. Katharine Wilson, "Not forgetting Frances: 'Adventures' in Elizabethan fiction" / 12. Gillian Austen, " 'The very chefe of our late rymers': George Gascoigne and Literary Fame"
Info autore
Gillian Austen is a Visiting Fellow in the Department of English, University of Bristol, England, UK.
Riassunto
This collection of essays situates George Gascoigne in context as the pre-eminent writer of the early part of Queen Elizabeth’s reign.
