Ulteriori informazioni
Decolonial Imaginaries in Palestinian Experimental Film and Video focuses on an underexamined group of female Palestinian filmmakers, highlighting their relevance for thinking through a diverse set of issues relating to decolonial aesthetics, post-nationalism and gender, non-Western ecologies, trauma and memory, diasporic experiences of space, biopolitics, feminist historiography and decolonial temporalities.
Positing that these filmmaker-artists radically counter dominant media images of Palestinians, deessentializing Palestinian identity while opening up history and the present to new potentialities and ways of imagining Palestinian futures, Decolonial Imaginaries in Palestinian Experimental Film and Video argues that Palestinian experience is urgently relevant to all of us. As the works address issues of food availability and land use, environmental collapse and forced displacement, Hole explores how such films generate hope, imagine impossible possibilities and offer inspiration and wisdom when it comes to losing and rebuilding.
Addressing a fundamentally transnational and understudied area, this book will resonate with readers working in the areas of film and media studies, Palestinian cultural studies, historiography, Middle East studies and experimental film.
Sommario
Chapter 1 Introduction- Decolonial Imaginaries in Palestinian Experimental Film and Video: Postnational and Feminist Aesthetics
Chapter 2 Ghosts and Echoes: Decolonial Historiography in the Films of Jumana Manna
Chapter 3 Decolonial Ecologies in Jumana Manna's Wild Relatives (2018) and Foragers (2022)
Chapter 4 In the Future Palestine Was...: Larissa Sansour's Dystopian Futurisms
Chapter 5 Decolonizing, Deterritorializing: Gaza and Beyond in the films of Basma Alsharif
Info autore
Kristin Lené Hole is Associate Professor of Film Studies in the School of Film at Portland State University, USA. She is the author of Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas, and Jean-Luc Nancy.
Riassunto
This book focuses on an underexamined group of female Palestinian filmmakers, highlighting their relevance for thinking through a diverse set of issues relating to decolonial aesthetics; post-nationalism and gender; non-Western ecologies; trauma and memory; diasporic experiences of space; biopolitics; and decolonial temporalities.
