Fr. 70.00

Shared Meanings in the Film Music of Philip Glass - Music, Multimedia and Postminimalism

Inglese · Tascabile

Spedizione di solito entro 1 a 3 settimane (non disponibile a breve termine)

Descrizione

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The book offers one of the first in-depth studies of Philip Glass's music for film, considering The Hours and Dracula, Naqoyqatsi, Notes on a Scandal and Watchmen, while examining re-applications of the music in new cinematic and televisual contexts. The book will appeal to musicologists but also to those working in the fields of film music, cultur

Sommario










Contents: Foreword, Michael Riesman; Introduction; Glass, postminimalism and the media: initial questions and contexts; 'The satisfaction of a drive': postminimal music and the advertising media; Postmodern unfoldings? Narrative, temporality and repetition in postminimal music; 'Notes on a soundtrack': reading Glass's recent film scores; Metamorphic meanings in Glass's intertextual soundtracks; This is (not) a soundtrack: Dracula the movie or music drama?; Existential conflict in Naqoyqatsi, Book of Longing and Watchmen; Conclusions: reviewing concepts and approaches; Bibliography; Electronic resources; Selected discography; Selected filmography; Artworks; Index.

Info autore










Tristian Evans is lecturer in Music at Bangor University, UK. He completed BMus, MA and doctoral studies at Bangor between 2002-10, receiving support from the AHRC's doctoral programme.

Riassunto

The book offers one of the first in-depth studies of Philip Glass's music for film, considering The Hours and Dracula, Naqoyqatsi, Notes on a Scandal and Watchmen, while examining re-applications of the music in new cinematic and televisual contexts. The book will appeal to musicologists but also to those working in the fields of film music, cultur

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