Fr. 236.00

Artangel and Financing British Art - Adapting to Social and Economic Change

Inglese · Copertina rigida

Spedizione di solito entro 1 a 3 settimane (non disponibile a breve termine)

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Zusatztext "The book's main value ...lies in its ability to convey the thriving and innovative art scene of Britain! of London in particular! in the last three decades! and to highlight its connections with changing socio-economic conditions! ideological commitments and cultural policies. As such! it raises many compelling issues for anyone with an interest in contemporary art! British cultural policies! and also contemporary British society."--Miranda"Navigating between the cultural policy and art theory literatures! Gould's take on the success story of Artangel adroitly sheds light on the interaction between aesthetic creativity and socioeconomic structures at a time of significant changes in the British cultural and socio-political landscape."--Cercles Informationen zum Autor Charlotte Gould is Assistant Professor of British Studies at Sorbonne Nouvelle University in Paris, France. Zusammenfassung By looking into the forms of patronage devised by Artangel and into the projects the organization has made possible since 1985, Charlotte Gould explores how specifically British ways of financing art – taking into account the history which has shaped British patronage – have informed new visual possibilities. Inhaltsverzeichnis Introduction 1. Post-Consensus Cultural Policies and the Hybridisation of Funding: A British Model 2. Artangel, Producing Art in the Post-Consensus Age 3. The Public Art of Artangel 4. Dissemination, the New Sites of Art Conclusion

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