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This collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives, using primarily ecclesiastical and liturgical documentation. This book shows the wealth of new information that baptismal fonts can offer when scholars adopt interdisciplinary approaches and engage in readings that question traditional assumptions inherited in scholarship.
Sommario
Contents: Introduction; Nel mio bel San Giovanni, fatti per loco de' battezzatori: baptismal fonts in Tuscany, Nirit Ben-Aryeh Debby; The St John portal and baptistery at St Stephen's cathedral, Sens, Annabelle Martin; Reconsidering the date of the baptismal font in San Isidoro, León, Spain, Harriet M. Sonne de Torrens; The two fonts of the Florence baptistery and the evolution of the baptismal rite in Florence, ca. 1200-1500, Amy R. Bloch; 'The heavens and all the powers therein': the iconography of the font of All Saints, Gresford in its political context, Madeleine Gray; Festive vessels or everyday fonts? New considerations on the liturgical functions of medieval baptismal fonts in Germany, Silvia Schlegel; Chores, computation, and the Second Coming: calendar images and Romanesque baptismal fonts, Frances Altvater; Baptism and the interaction with supernatural creatures in medieval Europe, Jenni Kuuliala; Select bibliography; Index.
Info autore
Harriet M. Sonne de Torrens, University of Toronto and Co-Director, Baptisteria Sacra Index: An Iconographic Index of Baptismal Fonts; Miguel A. Torrens, University of Toronto and Co-Director, Baptisteria Sacra Index: An Iconographic Index of Baptismal Fonts.
