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Bringing together leading writers and practicing architects including Jean Dethier, David Mayernik, Massimo Scolari, Robert Adam, David Watkin and Leon Krier, this volume provides a kaleidoscopic, multilayered exploration of the Architectural Capriccio. It not only explains the phenomena within a historical context, but moreover, demonstrates its contemporary validity and appropriateness as a holistic design methodology, an inspiring pictorial strategy, an efficient rendering technique and an optimal didactic tool. The book shows and comments on a wide range of historic masterworks and highlights contemporary artists and architects excelling in a modern updated, refreshed and original tradition of the Capriccio.
Sommario
Contents: Foreword: Capriccio: the efficacy of spatial narrative, Michael Graves; Preface: The Architectual Capriccio: memory, fantasy, invention, Lucien Steil; Introduction, Alireza Sagharchi; ’Il Capriccio’, definition of the capriccio (caprice) in the French Larousse dictionary, trans. Julie Kleinman; Meaning and purpose of the Capriccio, David Mayernik; The poietic image, Samir Younés; The Capricci of Giovanni Paolo Panini, David Mayernik; Patronage in the golden age of the Capriccio, Selena Anders; The grand tour, Lucien Steil; Capriccio: the leap of the goat or the unexpected, Jose Cornelio da Silva; Metaphors for a political urban landscape: Schinkel’s Capricci of a ’new Athens-on-the-Spree’, Jean-François Lejeune; J.M. Gandy’s composite views for John Soane, William Palin; American Capriccio: imaginary architecture in 19th-century painting, Gail Leggio; The Capricci of Carl Laubin, David Watkin; Symmetria and ethics, the didactic Capriccio, David Ligare; Settings: Emily Allchurch and the old masters, Xavier Bray and Minna Moore Ede; Massimo Scolari, Leon Krier; Drawing, Leon Krier; Capriccio, Leon Krier; 'Imago Luxemburgi', Leon Krier; The Capriccio and poetical realism, Lucien Steil; Urban chiaroscuro (after Piranesi): behind the scenes, Emily Allchurch; Sublime architecture: capricci in sketchbook and paintings, Lucien Steil; Le Corbusier’s eye and the vanishing point of modernity, David Brain; The architectural project, an homage to Rob Krier, Lucien Steil; 'La citta analoga': thoughts on the urban Capriccio for the design of real cities, Pier Carlo Bontempi; Magical realism in Miami, Javier Cenicaceleya; A very British Capriccio, Alireza Sagharchi; Building the Capriccio, Robert Adam; Capricci capricciosi, Ettore Maria Mazzola; The double nature of the architectural Capriccio: from pictorial fiction to urban reality, Jean Dethier; Postface: 'techne' and technology, Lucien Steil; The aura of the computer generated image: or virtuosity and
Info autore
Lucien Steil is an Associate Professor in Architecture at the University of Notre Dame, USA and Rome.
