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Informationen zum Autor Colum Hourihane received his PhD from the Courtauld Institute of Art, University of London, in 1983 for a thesis on the iconography of Gothic art in Ireland, part of which was subsequently published as Gothic Art in Ireland 1169–1550: Enduring Vitality (2003). He was deputy director of the Witt Computer Index in the Courtauld Institute until 1997 before becoming director of the Index of Christian Art, Princeton University, where he was until retirement in 2014. He has edited over twenty volumes of art historical studies and has single-authored five volumes. Among the latter are The Processional Cross in Late Medieval England: The Dallye Cross (2005) and Pontius Pilate, Anti-Semitism, and the Passion in medieval Art (2009). A fellow of the Society of Antiquaries of London, he was elected an honorary fellow of the Royal Irish Academy in 2015. Zusammenfassung This companion provides a state-of-the-art assessment of the influence of the foremost iconographers, as well as the methodologies employed and themes that underpin the discipline. The first section focuses on influential thinkers in the field, while the second covers some of the best known methodologies; the third, and largest section, looks at Inhaltsverzeichnis List of Figures and Plates Preface Biographical Notes on the Contributors Medieval Iconography, An Introduction Colum Hourihane Part I THE GREAT ICONOGRAPHERS 1. Andrea Alciato Denis L. Drysdall and Peter M. Daly 2. Ripa, the Trinciante Cornelia Logemann 3. Adolphe-Napoléon Didron (Paris 1867–Hautvilliers 1906) Emilie Maraszak 4. Louis Réau Daniel Russo 5. Émile Mâle Kirk Ambrose 6. Aby M. Warburg: Iconographer? Peter van Huisstede 7. Fritz Saxl: Transformation and Reconfiguration of Pagan Gods in Medieval Art Katia Mazzucco 8. Erwin Panofsky (1892–1968) Dieter Wuttke 9. Charles Rufus Morey and the Index of Christian Art Colum Hourihane 10. Hans van de Waal, A Portrait Edward Grasman 11. Meyer Schapiro as Iconographer Patricia Stirnemann 12. Michael Camille’s Queer Middle Ages Matthew M. Reeve Part II SYSTEMS AND CATALOGUING TOOLS 13. The Anthropology of Images Ralph Dekoninck 14. Classifying Image Content in Visual Collections: A Selective History Chiara Franceschini 15. Library of Congress Subject Headings Sherman Clarke 16. Iconclass: a Key to Collaboration in the Digital Humanities Hans Brandhorst and Etienne Posthumus Section III THEMES IN MEDIEVAL ART 17. Religious Iconography Marina Vicelja 18. Liturgical Iconography Karl F. Morrison 19. Secular Iconography Harald Wolter-von dem Knesebeck 20. Erotic Iconography Madeline H. Caviness 21. The Iconography of Narrative Anne F. Harris 22. Political Iconography and The Emblematic Way of Seeing György E. Szönyi 23. Picturing the Stars – Scientific Iconography in the Middle Ages Dieter Blume 24. Medicine’s Image Jack Hartnell 25. Patronage: A Useful Category of Art Historical Analysis Elizabeth Carson Pastan 26. Royal and Imperial Iconography Joan A. Holladay 27. The Iconography of Architecture Elizabeth Valdez del Álamo 28. Heraldic Imagery, Definition, and Principles Laurent Hablot 29. Medieval Maps and Diagrams Diarmuid Scully 30. The Iconography of Gender Sherry C.M. Lindquist 31. Feminist Art History and Medieval Iconography Martha Easton 32. The Iconography of Color Andreas Petzold 33. Flowers and Plants, the Living Iconography Celia Fisher 34. The Iconography of Light Sharon E. J. Gerstel and Michael W. Cothren 35. The Visual Representation of Music and Sound Susan ...
