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Informationen zum Autor Stuart Borthwick and Ron Moy are both lecturers at Liverpool's John Moores University. For the past ten years, they have devoted themselves to the delivery of a range of undergraduate courses, and now run a degree program in Popular Music Studies. Klappentext An accessible introduction to the study of popular music, this book takes a schematic approach to a range of popular music genres, and examines them in terms of their antecedents, histories, visual aesthetics and socio-political contexts. At the centre of each chapter is a textual analysis of key examples of the genres concerned: soul, psychedelia, progressive rock, reggae, funk, heavy metal, punk rock, rap, synthpop, indie, jungle. Within this interdisciplinary and genre-based focus, readers will gain insights into the relationships between popular music, cultural history, economics, politics, iconography, production techniques, technology, marketing, and musical structure. Zusammenfassung An accessible introduction to the study of popular music, this book takes a schematic approach to a range of popular music genres, and examines them in terms of their antecedents, histories, visual aesthetics, and sociopolitical contexts. Within this interdisciplinary and genre-based focus, readers will gain insights into the relationships between popular music, cultural history, economics, politics, iconography, production techniques, technology, marketing, and musical structure. Inhaltsverzeichnis Illustrations -- Acknowledgements -- Introduction -- 1 Soul: from gospel to groove -- 2 Funk: the breakbeat starts here -- 3 Psychedelia: in my mind’s eye -- 4 Progressive rock: breaking the blues’ lineage -- 5 Punk rock: artifice or authenticity? -- 6 Reggae: the aesthetic logic of a diasporan culture -- 7 Synthpop: into the digital age -- 8 Heavy metal: noise for the boys? -- 9 Rap: the word, rhythm and rhyme -- 10 Indie: the politics of production and distribution -- 11 Jungle: the breakbeat’s revenge -- Glossary -- Bibliography -- Index....
