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Informationen zum Autor Dr. Mark de Valk is Senior Lecturer in Film & Television Studies at Southampton Solent University. He specialises in guerrilla/indie-filmmaking processes and continues to produce, direct and write productions in documentary, drama, and experimental formats. Dr. Sarah Arnold is Lecturer in Film & Digital Media at University College Falmouth and is author of Maternal Horror Film: Melodrama and Motherhood (2013). Klappentext 'The Film Handbook' examines the current status of filmmaking! how film is produced and distributed and its relation with today's digital and web-based climate. It reflects on how critical analysis of film underpins practice and story! and how developing an autonomous 'vision' will best aid creativity. Zusammenfassung The Film Handbook offers practical guidance on a range of traditional and independent ‘guerrilla’ film production methods. Inhaltsverzeichnis Forward Roger Deakins, ASC, BSC Introduction Part 1: Film Language And Aesthetics 1. Renaissance of (Digital) Film 2. Developing Mise-en-Scene 3. Directing the Actor 4. Cinematography: Painting with Motion 5. Sound Underpinning Image 6. Editing: Temporality & Structure Part 2: Film Theory In Practice 7. Reading The Screen 8. Spectatorship and Audience 9. Contemporary Cinema 10. Eisenstein and Bazin: Formalism & Realism, Two Modes of Practice 11. Genre Part 3: Guerrilla Filmmaking: Practice As Subversion 12. Experimentation and the Short Film Format 13. Working with Non-Professional Actors 14. The Avant-garde, Subtext, & Symbolism 15. Documentary as Resistance Part 4: Persistence Of Vision 16. Screenwriting: From Script to Screen John Brice 17. Soundtracks: Using Music in Film Paul Rutter 18. Post Film: Technology and the Digital Film Part 5: Merging and Immerging Media: Developing a Professional Specialism 19. Post-Film: Production, Distribution and Consumption in the Digital Age 20. Mapping a Career Path ...
