Fr. 286.00

Understanding and Crafting the MIX - The Art of Recording

Inglese · Copertina rigida

Spedizione di solito entro 1 a 3 settimane (non disponibile a breve termine)

Descrizione

Ulteriori informazioni

Anhand ausführlicher Fallstudien arbeitet die Autorin unterschiedliche Bedeutungen physischer Gewaltausübung für weibliche Jugendliche heraus. Dabei werden zwei Gruppen unterschieden. Manche Madchen üben Gewalt aus, um dadurch einen Gewinn zu erlangen. Sie erleben sich als stark, unabhangig und gerecht, wenn sie Gewalt anwenden. Zusatzlich erhalten sie in einer gewaltbereiten Bezugsgruppe Anerkennung für ihr Tun und schaffen ein Gefühl der Zugehörigkeit. Andere Madchen sehen sich von einer feindseligen Umwelt bedroht. Durch Gewalt schützen sie sich. Da sie sich von ihren aggressiven Emotionen überwaltigt fühlen, bestatigt und vertieft ihr Handeln ein negatives Selbstkonzept. Die Autorin erlautert die unterschiedlichen Motive und subjektiven Gewinne von physischer Gewalt für weibliche Jugendliche und verdeutlicht deren Sinnhaftigkeit im Rahmen familiar gelernter Interaktionslogiken.

Sommario

Introduction- Overview of Organization and Materials Establishing an Accurate Playback of Recordings- Part One. Defining the Art of Recording: The Sound Characteristics and the Aesthetic Qualities of Audio Recordings Chapter 1. The Elements of Sound and Audio Recording Chapter 2. The Aesthetic and Artistic Elements of Sound in Audio Recordings Chapter 3. The Musical Message and the Listener Part Two. Learning to Listen, Beginning to Hear: Acquiring Fundamental Listening Skills and Establishing an Effective Approach to Listening Chapter 4. Listening and Evaluating Sound for the Aspiring Audio Professional Chapter 5. Fundamental Listening Skills Chapter 6. A System for Evaluating Sound Chapter 7. Evaluating Pitch in Audio and Music Recordings Chapter 8. Evaluating Loudness in Audio and Music Recordings Chapter 9. Evaluating Sound Quality Chapter 10. Evaluating the Spatial Elements of Two Channel Sound Chapter 11. Evaluating the Spatial Elements of Surround Sound Chapter 12. Complete Evaluations and Understanding Observations Chapter 13. The Roles of the Recordist and the Aesthetics of Recording Production Chapter 14. The Sounds of Recordings: Shaping Musical Ideas and Musical Expression Chapter 15. Preproduction and Preliminary Stages: Embracing Reality and Defining the Materials of the Project Chapter 16. Recording and Tracking: Capturing and Shaping the Performance Chapter 17. Crafting the Mix, and Finalizing the Production

Info autore

Dr. William Moylan has worked with leading artists across the full spectrum of jazz, popular, and classical genres. His recordings have been released by major and independent record labels, resulting in wide recognition, including several GRAMMY award nominations. A leading educator and an active recording engineer and producer for over 30 years, he is a Professor and Coordinator of Sound Recording Technology at the University of Massachusetts Lowell.

Riassunto

Identify, evaluate, and shape the artistry of your recordings with the clear and systematic methods set forth in Understanding and Crafting the Mix.

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