Canadian Literature and Cultural Memory

This wide-ranging collection of essays explores aspects of historical remembering in Canadian literature. Essays consider a range of topics, from Canada's earliest historical narratives to its most recent, and are representative of the country's regional character, as well as of the ongoing movement of peoples in immigration and diaspora. The book's division into five parts (amnesia, postmemory, recovery work, trauma, and globalization) reflect the many ways the pastinfuses the present, and how the present adapts the past.

Sommario

• Introduction


• Thinking Beyond Nostalgia: Canadian Literature and Cultural Memory


• PART I: Sites of Memory: Cultural Amnesia and the Demands of Place


• Globalization and Cultural Memory: Perspectives from the Periphery on the Post-National Disassembly of Place


• Putting Things in Their Place: The Syncrude Gallery of Aboriginal Culture and the Idiom of Majority History


• Lieux d'oubli: The Forgotten North of Canadian Literature


• Design and Disappearance: Visual Nostalgias and the Canadian Company Town


• Preserving "the echoing rooms of yesterday": Al Purdy's A-frame and the Place of Writers' Houses in Canada


• PART II: Memory Transference: Postmemory, Re-Memory, and Forgetting


• Learning Sauerkraut: Ethnic Food, Cultural Memory, and Traces of Mennonite Identity in Alayna Munce's When I Was Young and In My Prime


• "Their Dark Cells": Transference, Memory, and Postmemory in John Mighton's Half Life


• Remembering Poverty: Bannock, Beans, and Black Tea, a Tale of Two Lives


• Postmemory and Canadian Poetry of the 1970s


• "Exhibit me buckskinned": Indigenous Legacy and Rememory in Joan Crate's Pale as Real Ladies: Poems for Pauline Johnson


• Scrapbooking: Memory and Memorabilia in Gail Anderson-Dargatz's The Cure for Death by Lightning and Turtle Valley


• Part III: Re-Membering History: Memory Work as Recovery


• Ethnography, Law, and Aboriginal Memory: Collecting and Recollecting Gitxsan Histories in Canada


• Between Elegy and Taxidermy: Archibald Lampman's Golden Lady's Slippers


• Under Other Skies: Personal and Cultural Memory in E. Pauline Johnson's Nature Lyrics and Memorial Odes


• Indigenous Diasporas and the Shape of Cultural Memory: Reframing Anahareo's Devil in Deerskins


• Yours to Recover: Mound Burial in Alice Munro's "What Do You Want to Know For?"


• Romancing Canada in Best-Sellerdom: The Case of Quebec's Disappearance


• Collective Memory, Cultural Transmission, and the Occupation(s) of Quebec: Jean Provencher and Gilles Lachance's Québec, Printemps 1918


• PART IV: The Compulsion to Remember: Trauma and Witnessing


• Under Surveillance: Memory, Trauma and Genocide in Madeleine Thien's Dogs at the Perimeter


• "I didn't want to tell a story like this": Cultural Inheritance and the Second Generation in David Chariandy's Soucouyant


• Confronting the Legacy of Canada's Indian Residential School System: Cree Cultural Memory and the Warrior Spirit in David Alexander Robertson and Scott B. Henderson's 7 Generations Series


• Recovering Pedagogical Space: Trauma, Education, and The Lesser Blessed


• PART V: Cultural Memory in a Globalized Age


• "I have nothing soothing to tell you": Dionne Brand's Inventory as Global Elegy


• Now and Then: Dionne Brand's What We All Long For, the Desire to Forget, and the Urban Archive


• Haunted/Wanted in Jen Sookfong Lee's The End of East: Canada's Cultural Memory Beyond Nostalgia


• Rethinking Postcolonialism and Canadian Literature through Diasporic Memory: Reading Helen Humphrey's Afterimage


• Transnational Memory and Haunted Black Geographies: Esi Edugyan's The Second Life of Samuel Tyne

Info autore

Cynthia Sugars is Professor in the Department of Literature, University of Ottawa. Her research and teaching focus on the links between national identities and cultural narratives, in the broad range of ways that Canadians, past and present, make sense of themselves as members of a national community that is shaped by a multiplicity of contending perspectives.

Eleanor Ty is Professor in the Department of English, Wilfrid Laurier University. She works on Asian North American Literature and Film and on Eighteenth Century British Literature.

Riassunto

Critics argue that contemporary western societies are immersed in a "culture of memory," devoting resources to national histories and heritage, commemoration, public re-enactments, etc. We use these recollections of our national past to maintain a collective identity in the present, among other uses. These essays, edited by Cynthia Sugars and Eleanor Ty, explore how Canadian literature draws on aspects of cultural memory, past and future.

Exploring memory as a "vector of signification" involves a wide range of topics such concepts of as heritage, antiquity, nostalgia, elegy, ancestry, haunting, trauma, affect, aging, authenticity, commemoration, public history. Contributors to this collection consider literary treatments of both mainstream and alternative uses of cultural memory, past and contemporary, urban and rural. From well-known writers like Alice Munro, Al Purdy and Dionne Brand to recreations of Aboriginal pasts and less common topics like food and Mennonites, there is wide representation of Canada's literary diversity. And equally representative is the collection's historical spread, ranging across early explorer narratives to contemporary works. The collection digs into some of the darker moments in our past (immigrant experiences, recollections of interned Japanese-Canadians in World War 2, and memories of Native children in residential schools). The sheer ambition of this collection suggests the multifaceted ways that Canada's past is part of our collective cultural memory now. A four-page colour insert - including Seth cartoons as well as unique, little known photography - provides a compelling visual context for the collection's treatment of the complex, multifaceted character of cultural memory in Canada.

The collection is divided into five parts (amnesia, postmemory, recovery work, trauma, and globalization), all areas of research in the emerging field of cultural memory. These thought-provoking essays reflect the many ways the past infuses the present, and the present adapts the past. Students and scholars will find this rich collection useful in upper-level courses in Canadian literature as well as in cultural studies.

Testo aggiuntivo

the book is engaging and provides a well-researched spectrum of the different aspects of Canadian literature in relation to cultural memory.

Dettagli sul prodotto

• Autori: Cynthia Sugars, Eleanor Ty
• Editore: Hurst & Co
• Lingue: Inglese
• Formato: Copertina rigida
• Pubblicazione: 14.09.2014
• EAN: 9780199007592
• ISBN: 978-0-19-900759-2
• Pagine: 512
• Dimensioni: 163 mm x 229 mm x 43 mm
• Peso: 771 g
• Categoria: Scienze umane, arte, musica > Scienze linguistiche e letterarie > Letteratura generale e comparata