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As inviting and sensual as a warm summer
day, this opulent exhibition catalog offers
a deep appreciation of Klimt's ornate,
exquisitely detailed, and atmospheric
landscape paintings.
For the last twenty years of his career, Gustav Klimt devoted considerable energy to painting landscapes during his summer vacations-and these bucolic scenes became some of his most sought-after pictures. Filled with vibrant high-quality reproductions and featuring engaging essays by leading scholars in the field, this exhibition catalog situates Klimt's landscapes alongside fin-de-siècle fashion, photography, and decorative arts of the Wiener Werkstätte in particular. Klimt's landscapes are examined within the context of his larger oeuvre and traces the evolution of his style: from one informed by the academic tradition, to his ornate "golden style" decorative approach influenced by the ideal of the Gesamtkunstwerk, and then to a more painterly manner of working in pure color. The book also considers Klimt's relationship with his muse, fashion designer Emilie Flöge; his deep engagement with the Viennese avant-garde; and the specific techniques he employed to achieve mesmerizing, harmonious works that literally shimmer with light and color.
Info autore
JANIS STAGGS is the Director of Curatorial at Neue Galerie New York. She is the co-editor or contributing author of several books, including Ernst Ludwig Kirchner and Wiener Werkstätte, 1903-1932: The Luxury of Beauty, Modern Worlds: Austrian and German Art, 1890-1940, and Klimt and the Women of Vienna’s Golden Age, 1900-1918, all published by Prestel.
Riassunto
As inviting and sensual as a warm summer
day, this opulent exhibition catalog offers
a deep appreciation of Klimt’s ornate,
exquisitely detailed, and atmospheric
landscape paintings.
For the last twenty years of his career, Gustav Klimt devoted considerable energy to painting landscapes during his summer vacations—and these bucolic scenes became some of his most sought-after pictures. Filled with vibrant high-quality reproductions and featuring engaging essays by leading scholars in the field, this exhibition catalog situates Klimt’s landscapes alongside fin-de-siècle fashion, photography, and decorative arts of the Wiener Werkstätte in particular. Klimt’s landscapes are examined within the context of his larger oeuvre and traces the evolution of his style: from one informed by the academic tradition, to his ornate “golden style” decorative approach influenced by the ideal of the Gesamtkunstwerk, and then to a more painterly manner of working in pure color. The book also considers Klimt’s relationship with his muse, fashion designer Emilie Flöge; his deep engagement with the Viennese avant-garde; and the specific techniques he employed to achieve mesmerizing, harmonious works that literally shimmer with light and color.
