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Tracey Warr's essays tangle with Punk Art, Endurance Art, Performance Art, Site-Specific Art and Women's Art. She has worked with artists as both a curator and writer. Her texts have often been developed as an 'embedded' writer, writing with rather than about the artist and immersed in the artist's making process.
Warr's essays engage with a range of contemporary artists including Marina Abramovic, Ackroyd & Harvey, Brook & Black, Chris Burden, Marcus Coates, Bruce Gilchrist, Elpida Hadzi-Vasileva, London Fieldworks, Hayley Newman, Alan Smith, Emily Speed, Christian Thompson, James Turrell, Nomeda and Gediminas Urbonas and more.
This edition brings together diverse essays previously published in journals, exhibition catalogues, conference proceedings and online publications.
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Tracey Warr was born in London and lives in southwest France. She worked at the Institute of Contemporary Arts and the Arts Council of England. She was the co-curator of the Edge biennales. She was programme lead in Fine Art at Oxford Brookes University and in Arts Management at Dartington College of Arts. She worked as a senior lecturer at Glasgow School of Art, Scotland; Bauhaus University, Germany; Piet Zwart Institute, Netherlands; and Saint Francis University (US) in France. She established the Arts and Place and Poetics of Imagination MAs at Dartington Arts School.Her books and essays on contemporary art have been published by Phaidon, Routledge, The Barbican Gallery, Tate, Palgrave Macmillan, Intellect, Manchester University Press and Performance Research journal. She has also published five historical novels and a future fiction novella.
