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Informationen zum Autor Dorothea Olkowski is Associate Professor of Philosophy at the University of Colorado! Colorado Springs. She coedited Gilles Deleuze and the Theatre of Philosophy (1992). Klappentext " Gilles Deleuze and the Ruin of Representation will undoubtedly contribute to a renewed understanding of this important twentieth-century philosopher. . . . [It] contains some of the very best and clearest accounts of Difference and Repetition and The Logic of Sense! and an account of Bergson! and Deleuze's reading of Bergson! that is simply the most compelling I have read in English."-David N. Rodowick! author of Gilles Deleuze: Time Machine Zusammenfassung This text presents an exploration of the philosophy of Gilles Deleuze. The work of contemporary artist Mary Kelly has been central to the author's thinking. In Kelly she finds an artist at work whose creative acts are in themselves the ruin of representation as a whole. Inhaltsverzeichnis List of Illustrations Acknowledgments 1. Women! Representation! and Power Difference Itself The Logic of Difference Difference and Organic Representation 2. Can a Feminist Read Deleuze and Guattari? Cosmic Empiricism Negative Desire Nomadism A Thousand Tiny Sexes 3. Against Phenomenology Feminist Narrative The Origin of the Work of Art Reconsidering Space and Time Interval 4. Bergson! Matter! and Memory Order-Words! Common Language Interpretation and Force The Earth Screams; Life ltself Duration and Memory Memory and the Second Synthesis of Time Association of Ideas and the Unconscious 5. Creative Evolution: An Ontology of Change Tendencies! Not Oppositions Duration and Space The Dominance of Action Spiritual Life 6. Beyond the Pleasure Principle Biopsychic: Life The Purloined Letter The End of Eros 7. The Ruin of Representation The Dead Body 'The Theater of Terror A Science of the Singular 8. The Linguistic Signifier and the Ontology of Change Signification or Sense? Does the Linguistic Signifier Rule? Conclusion: Making Language Stutter Notes Bibliography ...
