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This collection of essays by dancers, scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture explores Irish-German connections through dancein choreographic processes and on stage, in literary texts, photography, dance documentation, film, and architecture since the 1920s.
Sommario
Chapter One: Modernism, Migration, and Irish-German Connections in the 1930s and 1940s: The Impact of Modern Physics and Dance on Ireland
Gisela Holfter
Chapter Two: Erina Brady: Mary Wigman's Irish Disciple?
Deirdre Mulrooney
Chapter Three: Duality of Cultural Influences as a Source of Insight and Inspiration: The Collaboration between Aloys Fleischmann and Joan Moriarty 1947-1992
Ruth Fleischmann
Chapter Four: Irish Dance Documentation for the Archive: A Personal Reflection on Irish-German Connections and Intellectual Inheritances
Catherine E. Foley
Chapter Five: "Somewhere Between Remembering and Forgetting": An Examination of the Choreographic Process Inspired by the Poem "The Man Made of Rain" by Brendan Kennelly
Marguerite Donlon
Chapter Six: Creating Tanztheater: Finding Ireland with Pina?
Finola Cronin
Chapter Seven: Irish Modernism and the History and Aesthetics of Dance
Susan Jones
Chapter Eight: Rhythm and Colour: The Legacy of Dance in 1930s Joyce and Beckett
Siobhán Purcell
Chapter Nine: Yeats's Transgressive Dancers
Margaret Mills Harper
Chapter Ten: "I as a Text," I as a Dance: On the Relationship of Contemporary Dance and Contemporary Poetry with Reference to Anne Juren, Martina Hefter, Monika Rinck, and Philipp Gehmacher
Lucia Ruprecht
Chapter Eleven: Dancing between Transgression and Transformation in German Literature after 1945 and 1989: Johannes Bobrowski and Katja Petrowskaja
Sabine Egger
Chapter Twelve: Dance and the Postmodern Subject in "Libidoökonomie" and "Der Kranich auf dem Kiesel in der Pfütze" by Feridun Zaimoglu
Joseph Twist
Chapter Thirteen: "Alive. Changing. New": Impulses of the Jaques-Dalcroze Dance Institute on the Architecture of Ludwig Mies van der Rohe
Tanja Poppelreuter and Jan Frohburg
Info autore
Sabine Egger is lecturer in German studies at Mary Immaculate College, University of Limerick, and joint director of the Irish Centre for Transnational Studies.Catherine E. Foley is emeritus senior lecturer in ethnochoreology at the Irish World Academy of Music and Dance at the University of Limerick and founding director of the National Dance Archive of Ireland.Margaret Mills Harper is Glucksman Professor in Contemporary Writing in English at the University of Limerick.Sabine Egger is lecturer in German studies at Mary Immaculate College, University of Limerick, and joint director of the Irish Centre for Transnational Studies.Catherine E. Foley is emeritus senior lecturer in ethnochoreology at the Irish World Academy of Music and Dance at the University of Limerick and founding director of the National Dance Archive of Ireland.Margaret Mills Harper is Glucksman Professor in Contemporary Writing in English at the University of Limerick.
Riassunto
This collection of essays by dancers, scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture explores Irish-German connections through dancein choreographic processes and on stage, in literary texts, photography, dance documentation, film, and architecture since the 1920s.
