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Informationen zum Autor Howard Fishman is a frequent contributor to The New Yorker , where he has published essays on music, film, theater, literature, and culture. His essays have also appeared in Vanity Fair, The Washington Post Magazine, Artforum, San Francisco Chronicle, Mojo, The Village Voice, Jazziz, and Salmagundi . Fishman's writing was awarded first prize for Arts & Entertainment Portfolio from the Society for Features Journalism, and he's been an invited guest speaker on BBC Radio and on various NPR affiliates. His play, A Star Has Burnt My Eye , was a New York Times Critic's Pick. As a performing songwriter and bandleader, Fishman has toured internationally as a headlining artist for more than two decades. He has released eleven albums to date. He is based in Brooklyn, New York. Klappentext ONE OF THE NEW YORKER 'S BEST BOOKS OF THE YEAR CHOSEN BY PITCHFORK AS ONE OF THE TEN BEST MUSIC BOOKS OF 2023 ONE OF LOUDER THAN WAR 'S BEST BOOKS OF THE YEAR SHORTLISTED FOR THE PLUTARCH AWARD "It takes a great journalist to find the stories behind the mysteries we carry. Howard Fishman has done that with his superb examination of Connie Converse." - Ken Burns "Nothing short of remarkable." - Publishers Weekly "A massive and fascinating feat." - MOJO Magazine The true story of Connie Converse - a mid-century New York singer and songwriter, who mysteriously disappeared - and one writer's quest to understand her life. When musician and New Yorker contributor Howard Fishman first heard a Connie Converse recording, he was convinced she could not be real. Her music was too out of place for the 1950s to make sense - a singer who bridged the gap between traditional Americana, pop standards, and the singer-songwriter movement that exploded a decade later with Bob Dylan and Joni Mitchell. Fishman was determined to know more about this artist and how she slipped through the cracks of music history but there was one problem: in 1974, at the age of fifty, Converse simply drove off one day and was never heard from again. After a dozen years of research, Fishman expertly weaves a narrative of her life and music, and of how it has come to speak to him as both an artist and a person. It is by turns a hopeful, inspiring, melancholy, and chilling story of dark family secrets, taciturn New England traditions, a portrait of 1950s Greenwich Village, of a visionary intellect and talent, and a woman who fiercely strove for independence when the odds were against her. Who was this overlooked trailblazer, how did she come to make such complex and arresting music, and can Fishman discover what happened to the artist who disappeared? Vorwort The incredible true story of a 1950s singer who made a unique contribution to music history and then mysteriously disappeared and was never seen again. Zusammenfassung ONE OF THE NEW YORKER 'S BEST BOOKS OF THE YEAR CHOSEN BY PITCHFORK AS ONE OF THE TEN BEST MUSIC BOOKS OF 2023 ONE OF LOUDER THAN WAR 'S BEST BOOKS OF THE YEAR SHORTLISTED FOR THE PLUTARCH AWARD "It takes a great journalist to find the stories behind the mysteries we carry. Howard Fishman has done that with his superb examination of Connie Converse." - Ken Burns "Nothing short of remarkable." - Publishers Weekly "A massive and fascinating feat." - MOJO Magazine The true story of Connie Converse - a mid-century New York singer and songwriter, who mysteriously disappeared - and one writer's quest to understand her life. When musician and New Yorker contributor Howard Fishman first heard a Connie Converse recording, he was convinced she could not be real. Her music was too out of place for the 1...
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Howard Fishman is a frequent contributor to The New Yorker, where he has published essays on music, film, theater, literature, and culture. His essays have also appeared in Vanity Fair, The Washington Post Magazine, Artforum, San Francisco Chronicle, Mojo, The Village Voice, Jazziz, and Salmagundi. Fishman's writing was awarded first prize for Arts & Entertainment Portfolio from the Society for Features Journalism, and he's been an invited guest speaker on BBC Radio and on various NPR affiliates. His play, A Star Has Burnt My Eye, was a New York Times Critic's Pick. As a performing songwriter and bandleader, Fishman has toured internationally as a headlining artist for more than two decades. He has released eleven albums to date. He is based in Brooklyn, New York.
