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Zusatztext 'Witmore's literary analyses of the plays' dramatic details are generally excellent...and his prose in most explications is supple, lucid, and often nicely poetic.' Informationen zum Autor Michael Witmore is Director of the Folger Shakespeare Library in Washington DC , USA. His book, Culture of Accidents: Unexpected Knowledges in Early Modern England (Stanford, 2001) was the co-winner of the Perkins Prize for the Study of Narrative Literature in 2003. He is also the author of Pretty Creatures: Children and Fiction in the English Renaissance (Cornell, 2007) Klappentext A fresh approach to the plays that suggests they can be seen as metaphysical 'experiments' conducted in the medium of drama. Vorwort A fresh approach to the plays that suggests they can be seen as metaphysical 'experiments' conducted in the medium of drama. Zusammenfassung Metaphysics is usually associated with that part of the philosophical tradition which asks about 'last things', questions such as: How many substances are there in the world? Which is more fundamental, quantity or quality? Are events prior to things, or do they happen to those things? While he wasn't a philosopher, Shakespeare was obviously interested in 'ultimates' of this sort. Instead of probing these issues with argument, however, he did so with plays. Shakespearean Metaphysics argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism. Through close readings of three major plays - The Tempest, King Lear and Twelfth Night - Witmore proposes that Shakespeare's manner of depicting life on stage itself constitutes an 'answer' to metaphysical questions raised by later thinkers as Spinoza, Bergson, and Whitehead. Each of these readings shifts the interpretative frame around the plays in radical ways; taken together they show the limits of our understanding of theatrical play as an 'illusion' generated by the physical circumstances of production. Inhaltsverzeichnis General Editors' Preface Acknowledgements 1.Shakespearean Metaphysics and the Drama of Immanence 2.Whitehead and the Final Satisfaction of Twelfth Night 3.Lear's Intensity, Bergson's Divided Kingdom 4. Spinoza and The Tempest : An Island of One Bibliographical Note and Further Reading Index ...
