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Informationen zum Autor Norman K. Denzin was Distinguished Emeritus Professor of Communications, College of Communications Scholar, and Research Professor of Communications, Sociology, and Humanities at the University of Illinois at Urbana-Champaign, USA. One of the world’s foremost authorities on qualitative research and cultural criticism, he was the author or editor of more than 30 books, including The Qualitative Manifesto ; Qualitative Inquiry Under Fire ; Reading Race ; Interpretive Ethnography ; The Cinematic Society ; The Alcoholic Self ; and a trilogy on the American West. He was past editor of The Sociological Quarterly , co-editor of six editions of the landmark SAGE Handbook of Qualitative Research , co-editor (with Michael D. Giardina) of 18 books on qualitative inquiry, co-editor (with Yvonna S. Lincoln and Michael D. Giardina) of the methods journal Qualitative Inquiry , founding editor of Cultural Studies - Critical Methodologies and International Review of Qualitative Research , editor of four book series, and founding director of the International Congress of Qualitative Inquiry. Klappentext In this insightful book, one of America's leading commentators on culture and society turns his gaze upon cinematic race relations, examining the relationship between film, race and culture. Norman K Denzin argues that the cinema, like society, treats all persons as equal but struggles to define and implement diversity, pluralism and multiculturalism. He goes on to argue that the cinema needs to honour racial and ethnic differences, in defining race in terms of both an opposition to, and acceptance of, the media's interpretations and representations of the American racial order. Acute, richly illustrated and timely, the book deepens our understanding of the politics of race and the symbolic complexity of segregation and discrimination. Zusammenfassung In this insightful book, one of America's leading commentators on culture and society turns his gaze upon cinematic race relations, examining the relationship between film, race and culture. Acute, richly illustrated and timely, the book deepens our understanding of the politics of race and the symbolic complexity of segregation and discrimination. Inhaltsverzeichnis PART ONE: READING RACE Introduction PART ONE: READING RACE The Cinematic Racial Order PART TWO: RACIAL ALLEGORIES: THE WHITE HOOD A Grand Canyon Race, Women and Violence in the Hood Lethal Weapons in the Hood PART THREE: RACIAL ALLEGORIES: THE BLACK AND BROWN HOOD Boyz N Girlz in the Hood Zoot Suits and Homeboys (and Girls) Spike¿s Place PART FOUR: A NEW RACIAL AESTHETIC Screening Race ...
