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Each of the seven Garman sisters were strikingly beautiful, artistic and wild. Born around the turn of the nineteenth century, most of the siblings were to become involved in the radical literary and political circles of British life between the First and Second World Wars. Their morals were unconventional: bisexuality, unfaithfulness and illegitimate children were a matter of course. Nevertheless they were high-minded and intensely loyal. They were the last muses: women who were prepared to sideline their own talent, friendships, material comforts - even their own children - in order to beguile and inspire the men they loved. Cressida Connolly''s family biography delves into the lives of three of the sisters in intense and revealing detail. Kathleen Garman, the father''s favourite, ran away to London to study music. She was spotted by the American sculptor Jacob Epstein, who promptly fell in love with her, and remained his muse until his death. They had three children, she was shot in the shoulder by his first wife and she finally became Lady Epstein in 1955. Mary Garman came to London with Kathleen and studied art at the Slade. She married poet Roy Campbell, who was to become the scourge of the literary establishment by espousing General Franco''s side during the Spanish Civil War. Finally there was Lorna Garman, the youngest and most beautiful of all the family. At sixteen she married the wealthy Ernest Wishart, a landowner, communist and founder of the socialist publishing house Laurence & Wishart, who spent most of his life turning a blind eye to his wife''s infidelities. Lorna was the love of Laurie Lee''s life and they had a daughter. Lucian Freud painted several pictures for her. Through Cressida Connolly''s skilfull retelling of these remarkable lives, we get an intimate portrait of a golden age of romance, passion and art that is an original, beguiling read. ...
Relazione
'Paints some wonderfully vivid pictures of how difficult the Garmans must have been to live with.' Sunday Telegraph
'Connolly writes with great elegance and perception about this ruthlessly sensual family.' Literary Review
'A rollicking mix of the familiar and surprising.' Sunday Times
'A sobering coda and an often hilarious tale.' Independent
